worst part of it was: The boneless flesh of this squid was not healthy, but sick, severely sick; it had been poisoned by the trashy novels of proprietor of the bowling alley. Just now, I started to realize this properly and felt just the more unhappy with this, as I could not talk to a single human being about it, without embarrassing myself. Most of all it was the dryness and what I guess I would have to call soullessness of the lessons at the seminary, which made me realize that I had been poisoned. I found for the skeletons we had been offered, so that we would breathe life into them, no healthy flesh within myself. Everything I pieced together and tried to build up inside of me, turned out shapeless, ugly, untrue, and unlawful. I started to grow afraid of myself and kept on tinkering with the form of my soul, to have my insides cleansed, purified, rearranged, and uplifted, without having to turn to outside help, which did not exist anyhow. I would very well have liked to confide in one of our teachers, but they were all so elevated, so cold, so unapproachable, and most of all, I sensed this, no one of them would have understood me; they were no psychologists. They would have given me a puzzled look and left without otherwise acknowledging my presence. In addition, I had an inborn, irresistible urge to keep my mind busy. I learnt very easily and consequentially had much time to spare. So I secretly wrote poetry; I even composed. The few pfennigs I could spare were turned into writing paper. But what I wrote was not supposed to be just a student's essay, but something useful, something really good. And what did I write there? Most naturally story about American Indians! What for? Most naturally to have it printed! By whom? Most naturally by the the "Gartenlaube" <Garden-Arbour>, a magazine which had been founded a few years back, but was already read by everyone. I was sixteen, then. I sent in the manuscript. After a whole week had passed without any reaction, I asked for an answer. I received none. Therefore, after another fortnight, I wrote in a stricter tone, and after another two weeks, I asked for my manuscript back, to send it to another publisher. It arrived. Along with it came a letter, personally written by Ernst Keil, extending over four large quarto pages [a]. I was far from appreciating this as I should have. First, he quite thoroughly put me down, making me really honestly feel ashamed, because he most conscientiously listed all the misdeeds I had committed in the narration, of course without me being aware of it. Near the end, the reproach got milder, and in the end, he cheerfully extended to me, the ignorant boy, his hand and told me that he would not be too excessively appalled, if, after four or five years had passed, another one of my Indian stories should end up on his desk. He did not get any, though not due to my fault, but rather the circumstances would not let me.