the basin below; and then she held her hands to catch the drops till they were quite cold, and thought it the best play she had ever known. By-the-by, however, she began to look about her in search of further excitement, and, emboldened by success, turned the corner of the street, and ventured out of sight of the hotel. On one side large _portes-cocheres_ at intervals, shutting in the white, green-shuttered houses, that appeared beyond; on the other a long, high, blank wall, with nothing to be seen above it, and one small arched doorway about half-way down. This was the shady side; and Madelon, crossing over to it, arrived at the arched door, and stood for a moment contemplating it, wondering what could be inside. She was not left long in doubt, for two priests crossed the road, and pushed open the door, without seeing the child, who, urged by a spirit of curiosity, crept unnoticed after them, and suddenly found herself in a cloister, running round a quadrangle, on one side of which rose the walls and spires and buttresses of a great church; in the centre a carefully kept space of smooth grass. Madelon stood for a moment motionless with delight; it reminded her of a scene in some opera or play to which she had been in Paris with her father, but, oh! how much more beautiful, and all real! The sunlight streamed through the tracery of the cloisters, and fell chequered with sharp shadows on the pavement; the bright blue sky was crossed with pinnacles and spires, and there was an echo of music from the church which lured her on. The two priests walked quickly along, she followed, and all three entered the building by a side door together.