Australians -- England -- Fiction; Inheritance and succession -- Fiction
"I see," said Olivia, seeing only too clearly. "Still, I'm not sure you
were right: if I had been the girl----"
"Yes?"
The quick word altered the speech it had also interrupted.
"I should have thought it exceedingly kind of you," said Olivia, after a
moment's reflection.
She replaced the flowers on the chimney-board, and then led the way out
among the pines.
"I'm sorry you were in such a hurry," he said, overtaking her when he
had locked up the hut. "I might have made you some billy-tea. The
billy's the can you make it in up the bush. I had such a work to get one
over here! I keep some tea in the hut, and billy-tea's not like any
other kind; I call it better; but you must come again and sample it for
yourself."
"We'll see," said Olivia smilingly; but with that she lost her tongue;
and together they crossed the lake in mutually low spirits. It was as
though the delicate spell of simple friendship had been snapped as soon
as spun between them, and the friends were friends no more.
On the lawn, however, in a hammock under an elm, they found a young man
smoking. It was Mr. Edmund Stubbs, who had arrived, with his friend the
Impressionist, on the Saturday afternoon. He was smoking a pipe; but the
ground beneath him was defiled with the ends of many cigarettes; and
close at hand a deck-chair stood empty.
"I smell the blood of Mr. Llewellyn," said Olivia, coming up with the
glooming Duke. "He smokes far too many cigarettes!"
"He has gone for more," said the man in the hammock.
"I wonder you don't interfere, Mr. Stubbs; it must be so bad for him."
"On the contrary, Miss Sellwood, it is the best thing in the world for
him. A man must smoke something. And an artist must smoke cigarettes.
You can tell what he does smoke, however, from his work. Pipe-work is
inevitably coarse, banal, obvious, and only fit to hang in the front
parlours of Brixton and Upper Tooting. Cigar-work is little better; but
that of the cigarette is delicate, suggestive, fantastic if you will,
but always artistic. Ivor Llewellyn's is typical cigarette-work."
"How very interesting," said Olivia.
"My colonial!" muttered the Duke.
At the same time they caught each other's eyes, turned away with one
consent, nor made a sound between them until they were out of earshot of
the hammock. And then they only laughed; yet the spell that had been
broken was even thus made whole.
CHAPTER IX
AN ANONYMOUS LETTER
Public-domain text, read in full here on John Shaqi.
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