Australians -- England -- Fiction; Inheritance and succession -- Fiction
It is needless to quote more. The sentiments were superior to their
setting. An affectionate _camaraderie_ was employed, with success, as a
cloak for those warmer feelings of whose existence in his own bosom the
poor poet was now practically convinced. And the lines in themselves
were not all or wholly bad; there was a certain knack in them, and here
and there some charm. But if infinite pains could have made them a work
of genius, that they would have been. It was almost five when Claude
made his best signature at the foot of the last verse; yet there were
but four of these, or thirty-two lines in all.
He put them in an envelope which he sealed deliberately with his
signet-ring. The deliberation of all his private doings was enormous;
neither the hour nor an empty stomach could induce briskness at the
expense of pains. Yet Claude was exceedingly hungry, and the night had
put an edge on his nerves. As he paced the floor the undue distinction
between his steps, so soft on the rugs, and so loud on the parquetry,
became exaggerated in his nervous ears; and all the silence and all the
darkness of the sleeping Towers seemed to press upon that single
lamp-lit, sounding room, like fathoms of wide sea upon a diver's helm.
Claude had not thought of such things while he was still at work; he had
rather overdone matters, and he poured out a sparing measure of whisky
from the decanter upon the table.
There were other glasses with dregs at the bottom. The air was tainted
with stale smoke, and within the fender lay the remains of many
cigarettes. This was why Claude was so late. He had been late in making
a start. Stubbs and Llewellyn had sat up with him till the small hours.
The Poet's Corner was the one spot in which these young men seemed
really at home. Here, by midnight, but seldom before, they could manage
to create unto themselves their own element; for their Philistine host
went early to his eccentric lair; but there were always his easy-chairs
to lounge in, his whisky to drink, and Claude Lafont to listen to their
talk.
Not that the poet was so good a listener as he had been once; the truth
being, that he found himself a little out of touch with his clever
friends--he hardly knew why. It might be the living under one roof with
them; he himself would never have asked them down. Or it might be the
simultaneous hourly contact with an opposite type of man--the kindly,
unaffected dunce--the unburnished nugget, reeking yet of the Australian
soil, but with the gold wearing brighter every day.
Public-domain text, read in full here on John Shaqi.
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