“My father has a book-shop at Chartres, _j’adorais les livres et une
bonne lampe_,” he added, so simply.
And then a trench-stained comrade came up to him and they talked after
this fashion—one couldn’t have done better oneself—while I mopped up the
counter and refilled my jugs:
“This country pleases me. I will come back and take a turn about after
the war.”
“_Mon vieux_, one should never return to a place where one has been
happy; one is apt to find only regrets and disillusions. You are thinking
of the young _boulangère_ here, but she herself will leave the town after
the hostilities! And then what? _Un seul être vous manque et tout est
dépeuplé!_ But nothing, however, counsels one to return to a place where
one has suffered.”
From this point of view one must say that the life of the _poilu_ is
ideal, for when he will have tried all the fronts, including those of the
Orient, the war will perhaps be over.
And then they slung everything except the kitchen stove on their persons,
and, thanking me, went out to be killed, or, in the very best event, to
get _la bonne blessure_.
One in a thousand, one in ten thousand gets it, _la bonne blessure_,
indeed, not disfiguring, not incapacitating, and afterward, sometimes,
decorations, honors. On the other side they say, “_Glück muss der Soldat
haben_.”
A strange, intense blue, like some outer curtain to the windows,
announced the coming of dawn, and out of it appeared nine men shivering.
“Why are you so cold?” I ask.
“_Il fait du brouillard_,” said one, with a beard in a point and wearing
a _béret_, such a man as would have gone into an inn of Rabelais’s
time, _en route_ for some seat of war; and as he drank his big bowl of
chocolate he added, “_Cela console_; toward dawn one’s courage is low.”
Then a young, stone-deaf man with blue eyes and delicate, pink-skinned
face came in with something vague and searching in his look. I didn’t
realize in the first moment what was the matter, as I asked, did he
want coffee or chocolate, but a comrade pointed to his ears and said,
“Verdun.” He himself smiled, a dear young smile, but sudden tears came to
my eyes and I slopped the coffee.
A little before six we closed the canteen, which is always swept and
garnished between six and seven, and went back to the house where
Miss Worthington, who so admirably runs it in conjunction with Miss
Alexander, lives.
I lay me on a sofa with my shoes unlaced—my feet by that time were
feeling like something boneless and bruised, mashed into something too
small.
Seven-thirty a great knocking at the door.
“_L’alerte! A la cave, madame!_”
I was then in a state where a bomb couldn’t hurry me, but, the knocks
continuing, I finally got up and went down-stairs to find the lower floor
full of people, too _blasé_ to go into the vaulted cellar below.
“_Quelle comédie!_” said one woman. “_Moi, je m’en vais._”
“_Quelle tragédie, si c’est pour vous cette fois_,” answered another,
pressing her baby to her breast.
Public-domain text, read in full here on John Shaqi.
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