"M. d'Orléans bore himself as a man who prided himself upon
his moderation in the most lawful of pleasures.
"Valençay at length presented it to the prince, who,
stripping off his day vestments to the waist, afforded to
all the company a view of his hairless skin, an example of
the fashion indulged in by the highest foppery of the times.
"Princes or great noblemen would not consummate their
marriages, nor receive first favours from a mistress, until
after they had submitted to this preliminary operation.
"The news of this fact immediately spread throughout the
room and over the palace, and it put an end to any doubts
of the marriage between the duc d'Orléans and Madame de
Montesson, over which there had been so much controversy and
opposition.
"After his marriage the duc d'Orléans lived in the closest
intimacy with his wife, she paying him unreservedly the
homage due to the first prince of the blood.
"In public she addressed him as _Monseigneur_, and spoke
with due respect to the princesses of the blood, ceding them
their customary precedence, whether in their exits or their
entrances, and during their visits to the state apartments
of the Palais-Royal.
"She maintained her name as the widow of M. de Montesson;
her husband called her _Madame de Montesson_ or
simply _madame_, occasionally _my wife_, according to
circumstances. He addressed her thus in the presence of his
friends, who often heard him say to her as he withdrew from
their company: 'My wife, shall we now go to bed?'
"Madame de Montesson's sterling character was for long the
source of the prince's happiness, his real happiness.
"She devoted her days to the study of music and of hunting,
which pastime she shared with the prince. She also had a
theatre in the house she inhabited in the Chaussée d'Antin,
on the stage of which she often acted with him.
"The duc d'Orléans was naturally good-natured and simple
in his tastes, and the part of a peasant fitted him; while
Madame de Montesson played well in the rôles of shepherdess
and lover.
"The late duchesse d'Orléans had degraded the character of
this house to such a degree that no ladies entered it save
with the utmost and constant wariness. Madame de Montesson
re-established its high tone and dignity; she opened the
way to refined pleasures, awakened interest in intellectual
tastes and the fine arts, and brought back once more a
spirit of gaiety and good fellowship."
Sainte-Assise and this château at Villers-Cotterets wherein, as related
by Soulavie, this ardently desired marriage was brought about, were
both residences belonging to the duc d'Orléans.
The château had been part of the inheritance of the family since the
marriage of Monsieur, brother of King Louis XIV., with Henrietta of
England.
Public-domain text, read in full here on John Shaqi.
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