M. Arnault had followed Bonaparte to Egypt. He has related in a very
amusing manner, in his memoirs entitled _Souvenirs d'un sexagénaire_,
the part he took in that expedition. On his return, he wrote an
Ossianic tragedy, called _Oscar_, which was very successful, and which
he dedicated to Bonaparte; then _les Vénitiens,_ the catastrophe of
which was regarded as so outrageously bold that scrupulous people
would not support it, and the author was obliged to please these good
people by changing the action, thanks to which, after the style of
Ducis's _Othello_, his piece now finished off by a death or a marriage,
according to the choice of the spectators. _Les Vénitiens_ was a
tremendous success.
While M. Arnault was a chief clerk in the University during the Empire,
under M. de Fontanes, who was the principal, he took Béranger into
his offices as copying-clerk at twelve hundred francs a year. And it
was there that Béranger wrote his first chanson, the _Roi d'Yvetot._
Upon the second return of the Bourbons, M. Arnault was proscribed, and
retired to Brussels. We have already told how he became acquainted
with M. de Leuven, in exile, over a slap in the face the latter gave
a foreign officer. It was during his exile that M. Arnault composed
nearly all his fables, a charming collection but little known, as
very few people read fables nowadays. For this very reason I am going
to make my readers acquainted with three of them. Be reassured! these
three fables are really by M. Arnault, and not by M. Viennet. Besides,
I am answerable for them, and my word can be depended upon in the case
of all three. Let us further hasten to add that the fables we are about
to read are fables only in title: they are really epigrams.
LE COLIMAÇON
"Sans amis comme sans famille,
Ici-bas, vivre en étranger;
Se retirer dans sa coquille,
Au signal du moindre danger;
S'aimer d'une amitié sans bornes,
De soi seul emplir sa maison;
En sortir, selon la saison,
Pour faire à son prochain les cornes
Signaler ses pas destructeurs
Par les traces les plus impures;
Outrager les plus belles fleurs
Par ses baisers ou ses morsures;
Enfin, chez soi, comme en prison,
Vieillir, de jour en jour plus triste;
C'est l'histoire de l'égoiste
Ou celle du colimaçon."
LE DROIT DE CHACUN
Public-domain text, read in full here on John Shaqi.
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