My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
General
My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
I had followed with the closest attention the effect produced upon my
hearers. M. Parseval blinked his eyelids and simply twirled his thumbs
one round the other; M. Pieyre opened his eyes very wide and smiled,
his mouth also wide open. Old Bichet, as curious as I was as to the
impression I was making on his two friends, seeing that this impression
was favourable, shook his head delightedly, saying under his breath--
"Just like Piron! Just like Piron!
When I had finished, they burst out into applause, which was followed
by all sorts of encouraging advice.
I did not know whether I stood on my head or my heels. Imagine the
feelings of Ovid, exiled among the Thracians, when he found a sun more
radiant than that at Rome, and on carpets of flowers more fragrant
than those of Pæstum, under trees that lent a cooler shade than those
by the Tiber, listened to the applause given his _Tristia_ and his
_Metamorphoses._ I gave thanks to the gods who, unsolicited, had
granted me this moment of peace. We shall see that it was to be of but
short duration.
[Footnote 1: Madame de le Peyrouse avait promis à son mari de rester
voilée jusqu'à son retour; madame de la Peyrouse a tenu parole, et a
gardé son voile jusqu'à la mort.]
CHAPTER X
The painter Lethière--Brutus unveiled by M. Ponsard--Madame
Hannemann--Gohier--Andrieux--Renaud--Desgenettes--Larrey, Augereau
and the Egyptian mummy--Soldiers of the new school--My dramatic
education--I enter the offices of the Forestry Department--The cupboard
full of empty bottles--Three days away from the office--Am summoned
before M. Deviolaine
In the meantime, as I have stated, I had become master of my evenings
as I had no longer to see after the portfolio, and I took advantage
of my liberty to taste a little of life. My mother recollected an old
friend of my father, and we ventured to call upon him. He belonged to
the good-natured order of human beings, and gave us a warm welcome.
He was the famous artist Lethière, painter of _Brutus Condamnant ses
fils_, a heroism that always seemed to me a trifle too Spartan, but
which M. Ponsard's _Lucrèce_ has since made clearer to me. M. Ponsard
was the first to reveal the great conjugal mystery that the sons of
Brutus were not the sons of Brutus, but only the fruit of adultery: by
beheading them Brutus exhibited revenge, not his devotion to them!
Public-domain text, read in full here on John Shaqi.
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