Madame Waldor declared that it was purely an excuse for having his head scratched. M. Villenave must have been a parrot in one of the metamorphoses that preceded his life as a human being. Madame Villenave, who had known her husband longer than her daughter had, and who therefore could claim to know him better, averred that it was from vanity. And, indeed, M. Villenave, who was a good-looking old man, must have been splendidly handsome as a young man. His strongly marked features were wonderfully set off in their frame of flowing white hair, which showed up the fiery light of his fine black eyes. In fact, although M. Villenave was a learned man, he was also vain--a combination of virtue and fault rarely found together--but he was only vain about his head. As for the rest of his appearance, with the exception of his cravat, which was invariably white, he left it to his tailor and his bootmaker, or rather, to his daughter's care, who looked after these matters for her father. Whether his coat were blue or black, his trousers wide or narrow, the toes of his boots round or square, so long as M. Villenave's hair was well dressed, it was all he cared about. We have mentioned that when his daughter had combed and curled his locks, M. Villenave went upstairs to his own rooms--or _home>_ as the English say. Good gracious! what a curious place it was, too! Follow me, reader, if these minute details after the fashion of Balzac amuse you, and if you believe nature takes as much pains over the making of a hyssop as over the making of a cedar-tree. Besides, we may perhaps be able to unearth some curious anecdote from out the medley, concerning a charming pastel by Latour. But we have not got there yet; we shall come to it in the end, just as at last we have come to M. Villenave's sanctum.