We have divided up the ground floor into dining-room, kitchen, pantry; and on the first floor into the small and large salons and the bedrooms; there was nothing like that on the second floor. The second floor had five rooms, five rooms full of nothing else but books and boxes. These five rooms must have contained forty thousand volumes and four thousand boxes, piled up on the floor and on tables. The anteroom alone was a vast library. It had two entrances: that on the right led to M. Villenave's bedroom--a chamber to which we shall return. That on the left opened into a large room, which, in its turn, led into a much smaller one. These two rooms, be it understood, were nothing but two libraries. The four walls of them were tapestried with books upheld on a substratum of boxes. This was odd enough in itself, as will readily be imagined, but it was not the most original thing that caught one's notice. The most ingenious arrangement was a square construction which stood in the middle of the room like an enormous block and formed a second library within the first, leaving only space for a pathway round the room, bordered with books on left and right, just wide enough to allow a single person to move freely; a second person would have blocked the traffic. Moreover, only M. Villenave's most intimate friends ever presumed to be allowed the privilege of admission to this _sanctum sanctorum._ The substratum of boxes contained autographs. The age of Louis XIV. alone needed five hundred boxes! Herein were contained the result of fifty years of daily labour, concentrated on this one object; hour after hour taken up by this one passion. It was, in a word, the gentle and ardent passion of a born collector, into which he put his mind and happiness and joy and life! There were to be found a portion of the papers of Louis XVI., discovered in the iron chest; there was the correspondence of Malesherbes, two hundred autographs of Rousseau, and four hundred of Voltaire together with autographs of all the kings of France, from Charlemagne down to our own time; there were drawings by Raphael and Jules Romain, by Leonardo da Vinci, Andrea del Sarto, Lebrun, Lesueur, Greuze, Vanloo, Watteau, Boucher, Vien, David, Girodet, etc. M. Villenave would not have parted with the contents of those two rooms for a hundred thousand crowns.