On 1 January 1824 I was promoted from being one of the supernumerary clerks at twelve hundred francs per annum to the position of being a regular employé at fifteen hundred. I considered this a most flourishing condition of affairs, and thought that it was now time to send for my mother. I had not seen her for nine months, and the long separation began to grieve me. During these nine months I had made a sad discovery, which it was quite as well I should make, namely, that I had not learnt anything at all that I needed to learn, in order to further my progress in the career I wished to take up. But this did not discourage me, for I felt satisfied that I was now, once for all, firmly established in Paris and that I should not starve, thanks to my 125 francs per month; so I redoubled my zeal, and, ceasing to think of the limit of time I had fixed wherein to attain my end, I resolved to use it in applying myself to study. Unfortunately, after subtracting my office hours, very little time remained to me. I had to be at the Palais-Royal by half-past ten in the morning, and we did not leave until five in the evening. Moreover, there was a peculiar function connected with the secretary's office, which did not hold with respect to any other office. Either Ernest or I had to return, from eight till ten o'clock in the evening, while the Duc d'Orléans lived at Neuilly, in order to attend to what was called the _portefeuille_; and the Duc d'Orléans, being fond of a country life, spent three-quarters of the year at Neuilly. The task was not a difficult one, but it was imperative; it consisted in sending off by courier to the Duc d'Orléans the evening papers and his day's letters, and in receiving in return the orders for the next day. This meant a loss of two hours in the evening, and, of course, made it impossible to go to any play except at the Théâtre-Français, which adjoined our offices. It is but fair to say that M. Oudard, who had three tickets a day at his disposal for any seat in the theatre, sometimes indulged us with one of them--an act of generosity hardly ever displayed except when poor plays were on. Still, the expression "poor plays" must only be understood to mean the days when neither Talma nor Mademoiselle Mars was acting. But, since I wanted to go to the theatre for purposes of study, those days of poor plays were often profitable exhibitions for me. Then, too, I entered into an arrangement with Ernest by which each of us had his week, and, in this way, we secured fifteen free nights per month.