The crowd had, as I say, reached the Salle des Maréchaux. The frame of
the portrait of M. de Bourmont, who had recently been made a marshal,
already occupied its position on one of the panels; but although the
name had even been printed on the frame, the portrait had not yet been
inserted. In place of the canvas, by way of substitute no doubt, there
was a large piece of scarlet taffetas. This was torn down and used to
make the red portion of the tricolour favours which each person wore
in his buttonhole. I detached a morsel which had been diverted to this
end. As I was disputing with my neighbours over this strip of stuff, I
heard the sound of several gunshots. They were shooting at the portrait
of the Duc de Raguse in lieu of the original. Four balls had pierced
the canvas, one through the head, two in the breast and the fourth
through the background of the picture. A man of the people climbed up
on the shoulders of a comrade and, with his knife, cut out the portrait
in the shape of a medallion; then, passing his bayonet through the
breast and head, he carried it as the Roman lictors used to carry the
S.P.Q.R. at their triumphs. The portrait had been painted by Gérard. I
went up to the man and offered him a hundred francs for his trophy.
"Oh! citizen," he said, "I would not let you have it if you offered me
a thousand."
Alophe Pourrat next went up to him and offered him his gun in exchange
and got the portrait. He probably has it still.
As I entered the library of the Duchesse de Berry, I noticed a copy of
_Christine_, bound in purple morocco and stamped with the duchess's
arms, lying upon a little work-table. I thought I had a right to
appropriate it. I afterwards gave it to my cousin Félix Deviolaine; who
has probably lost it. I had gone in by the pavilion de Flore and I went
out by the pavilion Marsan. In the courtyard there was a quadrille of
four men, dancing to the piping of a fife and a violin: it was an early
Cancan that was being danced. They were dressed in court dress, with
plumed hats, and the wardrobes of Mesdames les Duchesses d'Angoulême
and de Berry had furnished the costumes for the masquerade. One of
these men had a cashmere shawl on his shoulders worth quite a thousand
crowns. It would have been perfectly safe to bet that he had not a
five-franc piece in his pocket. By the end of the country dance the
shawl was in tatters.
Now, how did it come to pass that the Louvre and the Tuileries and
Carrousel, with their Cuirassiers and Lancers and Swiss, their Royal
Guard and artillery, with three or four thousand men in garrison
besides, had been taken by four or five hundred insurgents? This is
what happened.
Public-domain text, read in full here on John Shaqi.
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