Four attacks were directed upon the Louvre: the first by the Palais-Royal; the second from the rue des Poulies, the rue des Prêtres-Saint-Germain-l'Auxerrois and the quai de l'École; the third by the Pont des Arts, and the fourth by the Pont Royal. The first was led by Lothon, whom, as it will be remembered, we left at the top of rue Guénégaud. He had been hit in the head by a bullet and had fallen unconscious in the place du Palais-Royal. The second was conducted by Godefroy Cavaignac, Joubert, Thomas, Bastide, Degousée, Grouvelle and the brothers Lebon, etc. It was they who took the Louvre, as will be seen presently. The third was that which had taken place by the Pont des Arts--the result is known. The fourth, that of the rue du Bac, did not cross the bridge in reality, until the Tuileries was taken. We have given an account of the second attack which captured the Louvre. This success was due, in the first case, to the admirable courage shown by the assailants and, afterwards, it must be confessed, by chance, to a false manœuvre: we will call it so in consideration of the feelings of those who decline to recognise the intervention of Providence in human affairs. One anecdote will be sufficient to give an idea of the courage of the assailants. A child of twelve had climbed, like a chimney-sweep, up one of the wooden shafts which are erected against the Colonnade to put rubbish in, and he had planted a tricolour flag on the Louvre in the face of the Swiss. Fifty shots had been fired at him and he had been lucky enough to escape without a single one disturbing him! Just at this moment, as enthusiastic shouts greeted the successful issue of the child's mad feat, the Duc de Raguse, who had concentrated his forces round the Carrousel for a last struggle, learnt that the soldiers stationed on the place Vendôme had begun to enter into communication with the people.