The capture of the place Vendôme meant the occupation of the rue de
Rivoli, of the conquest of the place Louis XV.,--meant, in a word,
that retreat on Saint-Cloud and Versailles was cut off. The Louvre was
especially guarded by two battalions of Swiss. One alone would have
been enough for its defence. So the marshal conceived the notion of
replacing the troops on the place Vendôme (who, as we have just said,
were threatening defection) by one of these two battalions of Swiss.
He despatched his aide-de-camp, M. de Guise, to M. de Salis, who was
in command of the two battalions. M. de Guise carried orders to bring
back these two battalions. M. de Salis, on receipt of this order, saw
no objection to carrying it out. He was the more ready to follow it,
as one single battalion was enough to defend the Louvre, and that one
had, indeed, been defending it successfully since the morning. The
other battalion had been standing in the courtyard with arms at rest.
M. de Salis next conceived the very natural idea of sending the Duc
de Raguse, not the reserve battalion stationed in the courtyard, but
the one which had been fighting since the morning from the balcony of
Charles IX. and the windows of the picture galleries, on the Colonnade
du Louvre side. He therefore commanded the fresh battalion to the place
of the fatigued one. But he made this mistake--instead of ordering the
fresh battalion to come up, he first ordered the tired battalion to
go down. This manœuvre was executed just at the moment of the highest
enthusiasm and the greatest efforts of the assailants. They saw the
Swiss retire, the firing grow feebler and then cease altogether; they
believed their enemies were beating a retreat and they sprang forward.
The movement was so impetuous that, before the second battalion had
taken the place of those who were being withdrawn, the people had
entered by all the wicket gates and gratings, had spread over the
deserted rooms on the ground floor and were firing from the windows on
the court.
Public-domain text, read in full here on John Shaqi.
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