I think this man possessed certain brotherly and trusting qualities which one looks for in vain in theatrical circles: he who had been hissed three or four months previously in the same theatre, and under similar circumstances, now asked his rival for fifty places, in order to back up a play the success of which would but intensify the failure of his own, and from a rival who, with lavish generosity, gave him at once, without the slightest hesitation or misgivings, a pile of tickets quite sufficient in number to ruin the best play in the world if they fell into the wrong hands. We were, probably, rather absurd figures, but we were unquestionably well-meaning. As no delay had been considered necessary, the play was performed the next day. Frédéric had told me the truth. There had been organised by someone--by whom I had not the slightest idea, perhaps spontaneously and without any other incentive than the hatred borne towards us--the roughest sort of opposition I ever witnessed. As usual, I was present in a box at my first night, so I lost none of the incidents of that terrible battle which raged for seven hours; during which the play was knocked down a dozen times and always rose up again, ending at two in the morning by forcing the panting, horrified and scared public to go down on its knees. Oh! I repeat it with an enthusiasm that has not diminished after twenty-five years of fighting, and in spite of my fifty or more triumphant successes, the contest between the genius of man and the ill-will of the crowd, the vulgarity of the audience, the hatred of enemies, is a grand and splendid spectacle. There is an immense satisfaction in dramatic quarters in feeling the opposition forced down on its knees and slowly made to bite the dust in utter defeat. Oh! what pride would victory produce, if it were not that, amongst honest men, it is a cure for vanity! It is quite impossible to give any idea of the effect that the arrest of Monaldeschi produced on the audience, after the monologue of Sentinelli at the window, which had been hooted at. The whole theatre burst into roars of applause, and when, in the fifth act, Monaldeschi, saved by the love of Christine, sends the poisoned ring to Paula, there were furious outcries against the cowardly assassin, which were turned into frantic cheers when they saw him drag himself, wounded and bleeding, to the feet of the queen, who, in spite of his supplications and prayers, gives utterance to this line, which Picard had pronounced _impossible_-- "Eh bien, j'en ai pitié, mon père.--Qu'on l'achève!"