_"First performance of Antony, a drama in five acts by M.
Alexandre Dumas._
"In an age and in a country where bastardy would be a
stain bearing the stamp of the law, sanctioned by custom
and a real social curse, against which a man, however
rich in talent, honours and fortune would struggle in
vain, the moral aim of the drama of _Antony_ could easily
be explained; but, nowadays when, as in France, _all
special privileges of birth are done away with_, those
of plebeian as well as of illegitimate origin, why this
passionate pleading, to which, necessarily, there cannot
be any contradiction and reply? Moral aim being altogether
non-existent in _Antony_, what else is there in the work?
Only the frenzied portrayal of an adulterous passion, which
stops at nothing to satisfy itself, which plays with dangers
and murder and death."
Then follows an unamiable analysis of the piece and the criticism
continues--
"Such a conception no more bears the scrutiny of good
common sense than a crime brought before the Assize-courts
can sustain the scrutiny of a jury. The author, by placing
himself in an unusual situation of ungovernable and cruel
passions, which spare neither tears nor blood, removes
himself outside the pale of literature; his work is a
monstrosity, although we ought in fairness to say that some
parts are depicted with an uncommon degree of strength,
grace and beauty. Bocage and Madame Dorval distinguished
themselves by the talent and energy with which they played
the two leading parts of Antony and Adèle."
My dear Monsieur Lesur, I could answer your criticism from beginning to
end; but I will only reply to the statements I have underlined, which
refer to bastardy, with which you start your article. Well, dear sir,
you are wrong; privileges of birth are by no means overcome, as you
said. I myself know and you also knew,--I say _you knew_, because I
believe you are dead,--you, a talented man--nay, even more, a man of
genius, who had a hard struggle to make your fortune, and who, in spite
of talent, genius, fortune, were constantly reproached with the fatal
accident of your birth. People cavilled over your age, your name, your
social status ... Where? Why, in that inner circle where laws are made,
and where, consequently, they ought not to have forgotten that the law
proclaims the equality of the French people one with another. Well!
that man, with the marvellous persistence which characterises him, will
gain his object: he will be a Minister one day. Well, at that day what
will they attack in him?--His opinions, schemes, Utopian ideas? Not at
all, only his birth!--And who will attack it?--Some mean rascal who has
the good luck to possess a father and a mother, who, unfortunately,
have reason to blush for him!
Public-domain text, read in full here on John Shaqi.
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