And, without taking off his little black coat which clung closely to
his body, without turning up his sleeves or taking off his cuffs, or
putting on a blouse or cotton jacket, Delacroix began by taking his
charcoal and, in three or four strokes, he had drawn the horse; in
five or six, the cavalier; in seven or eight, the battlefield, dead,
dying and fugitives included; then, making sufficient out of this rough
sketch to be intelligible to himself, he took up brushes and began to
paint. And, in a flash, as if one had unveiled a canvas, one saw appear
under his hand, first a cavalier, bleeding, injured and wounded, half
dragged by his horse, who was as hurt as himself, holding on by the
mere support of his stirrups, and leaning on his long lance; round
him, in front and behind him, the dead in heaps; by the riverside,
the wounded trying to put their lips to the water, and leaving tracks
of blood behind them; as far as the eye could see, away towards the
horizon stretched the battlefield, ruthless and terrible; above it all,
in a horizon made dense by the vapour of blood, a sun was setting like
a red buckler in a forge; then, finally, a blue sky which, as it melted
away into the distance, became an indefinable shade of green, with rosy
clouds on it like the down of an ibis. The whole thing was wonderful
to see: a circle gathered round the master and each one of the artists
left his task to come and clap his hands without jealousy or envy at
the new Rubens, who improvised both composition and execution as he
went on. It was finished in two or three hours' time. At five that
afternoon, owing to a large fire, all was dry and they could place the
forms against the walls. The ball had created an enormous stir. I had
invited nearly all the artists in Paris; those I had forgotten wrote
to remind me of their existence. Many society women had done the same,
but they asked to be allowed to come masked: it was an impertinence
towards other women and I left it to the responsibility of those who
had offered it. It was a fancy dress ball, but not a masked one;
the order was strict, and I hired two dozen dominoes for the use of
impostors, whoever they might be, who attempted to introduce themselves
in contraband dress.
At seven o'clock, Chevet arrived with a fifty-pound salmon, and a
roebuck roasted whole, served on a silver dish which looked as though
it had been borrowed from Gargantua's sideboard, and a gigantic pâté,
all to correspond. Three hundred bottles of Bordeaux were put down to
warm, three hundred bottles of Burgundy were cooling, five hundred
bottles of champagne were on ice.
Public-domain text, read in full here on John Shaqi.
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