Dickens's lectures in New York, which consisted of readings from his novels, were an event which has rarely been duplicated for interest. With high dramatic ability he brought out before the audience the characters from his novels with whom all were familiar. Every one in the crowd had an idealistic picture in his mind of the actors of the story. It was curious to note that the presentation which the author gave coincided with the idea of the majority of his audience. I was fresh from the country but had with me that evening a rather ultra-fashionable young lady. She said she was not interested in the lecture because it represented the sort of people she did not know and never expected to meet; they were a very common lot. In her subsequent career in this country and abroad she had to her credit three matrimonial adventures and two divorces, but none of her husbands were of the common lot. Speaking of Dickens, one picture remains indelibly pressed upon my memory. It was the banquet given him at which Horace Greeley presided. Everybody was as familiar with Mr. Pickwick and his portrait by Cruikshank in Dickens's works as with one's father. When Mr. Greeley arose to make the opening speech and introduce the guest of the evening, his likeness to this portrait of Pickwick was so remarkable that the whole audience, including Mr. Dickens, shouted their delight in greeting an old and well-beloved friend. Another educational opportunity came in my way because one of my uncles was postmaster of the village. Through his post-office came several high-class magazines and foreign reviews. There was no rural delivery in those days, and the mail could only be had on personal application, and the result was that the subscribers of these periodicals frequently left them a long time before they were called for. I was an omnivorous reader of everything available, and as a result these publications, especially the foreign reviews, became a fascinating source of information and culture. They gave from the first minds of the century criticisms of current literature and expositions of political movements and public men which became of infinite value in after-years.