"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of LondonCastle, Egerton
History
"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of London
Castle, Egerton
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
“Come,” he said, sitting up at last and slowly stretching out one hand.
“Come, Diana, since Diana you will be.” (Again she started on hearing
herself unwittingly called by her real name.) “Be Diana, if you please,
to me. What if I am no Endymion? Bah, my dear goddess,” and he drew his
lean frame out of the chair and came over to her with the same deliberate
grace, “that was a little mistake of yours to be so ready to stoop to
yonder youth! Endymion is but a callow rascal, a greenhorn. When such
beings as you descend from your high celestial ways it should be for a
man! Come, do you wish me to kneel at your feet, as your shepherd did
even now? I will, an’ it please you.”
His arms were almost about her, when, with a fierce movement, she sprang
up and thrust him from her.
“In the name of God,” she cried, “into what trap have I fallen?”
“Nay, do not scream,” he said, at one step placing himself between
her and the door, and catching her wrist, without roughness, but
with that steel-like grasp she had instinctively divined under his
gentle movements. “Let us clear this strange matter between us two,
madam.—Answer you first: What purpose had you in coming here to-night?”
“I?” she flashed back at him, panting. “Purpose?—Purpose, sir?… That
young man found me in the snow, the coach had foundered, my servants
ridden away for help, I was perished from cold. Purpose? Let me go, sir.
Rather the snow! Oh, let me hence from your horrible house!”
He released her and stood looking at her in silence. Again, even in
her turmoil of terror and passion, she was struck by the extraordinary
dignity of his air. But to look thus, and to act thus!
“Oh, shame,” she said; “you who might be my father!”
A swift shadow came over his countenance, then passed, leaving it set
into marble impassivity. His eyelids drooped. Forgetting her cloak on the
chair, forgetting her shoeless feet, she thought she saw her chance, and
made a rush for the door; but he arrested her with a gesture.
“No!” he said authoritatively. Then, fixing his eyes upon her with an
altered look: “No, child,” he repeated. His voice was as much changed
as his gaze. Gone from it the dangerous, even silkiness of his first
speeches to her, as well as the quick sternness of the last words. This
new voice, something said to her, was the voice of the real self that
matched the noble countenance.
Public-domain text, read in full here on John Shaqi.
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