I, who have not one morsel of rationality about me; I, who am as true
an adept as if I had lived in the good old times ("the Ages of Faith,"
as another adept has very properly called them) find unceasing
interest and occupation in my black mirror. For everything I want to
know, and for everything I want to do, I consult it. This very day,
for instance (being in the position of most of the other inhabitants
of London, at the present season), I am thinking of soon going out of
town. My time for being away is so limited, and my wanderings have
extended, at home and abroad, in so many directions, that I can hardly
hope to visit any really beautiful scenes, or gather any really
interesting experiences that are absolutely new to me. I must go to
some place that I have visited before; and I must, in common regard to
my own holiday interests, take care that it is a place where I have
already thoroughly enjoyed myself, without a single drawback to my
pleasure that is worth mentioning.
Under these circumstances, if I were a mere rational man, what should
I do? Weary my memory to help me to decide on a destination, by giving
me my past travelling recollections in one long panorama--although I
can tell by experience that of all my faculties memory is the least
serviceable at the very time when I most want to employ it. As a true
adept, I know better than to give myself any useless trouble of this
sort. I retire to my private sitting-room, take up my black mirror,
mention what I want--and, behold! on the surface of the cannel coal
the image of my former travels passes before me, in a succession of
dream-scenes. I revive my past experiences, and I make my present
choice out of them, by the evidence of my own eyes; and I may add, by
that of my own ears also--for the figures in my magic landscapes move
and speak!
Shall I go on the continent again? Yes. To what part of it? Suppose I
revisit Austrian Italy, for the sake of renewing my familiarity with
certain views, buildings, and pictures which once delighted me? But
let me first ascertain whether I had any serious drawbacks to complain
of on making acquaintance with that part of the world. Black mirror!
show me my first evening in Austrian Italy.
A cloud rises on the magic surface--rests on it a little
while--slowly disappears. My eyes are fixed on the cannel coal. I see
nothing, hear nothing of the world about me. The first of the magic
scenes grows visible. I behold it, as in a dream. Away with the
ignorant Present. I am in Italy again.
Public-domain text, read in full here on John Shaqi.
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