The darkness is just coming on. I see myself looking out of the side
window of a carriage. The hollow roll of the wheels has changed to a
sharp rattle, and we have entered a town. We cross a vast square,
illuminated by two lamps and a glimmer of reflected light from a
coffee-shop window. We get on into a long street, with heavy stone
arcades for foot-passengers to walk under. Everything looks dark and
confused; grim visions of cloaked men flit by, all smoking; shrill
female voices rise above the clatter of our wheels, then subside again
in a moment. We stop. The bells on the horses' necks ring their last
tiny peal for the night. A greasy hand opens the carriage-door, and
helps me down the steps. I am under an archway, with blank darkness
before me, with a smiling man holding a flaming tallow candle by my
side, with street spectators silently looking on behind me. They wear
high-crowned hats and brown cloaks, mysteriously muffling them up to
the chin. Brigands, evidently. Pass, Scene! I am a peaceable man, and
I don't like the suspicion of a stiletto, even in a dream.
Show me my sitting-room. Where did I dine, and how, on my first
evening in Austrian Italy?
I am in the presence of two cheerful waiters, with two flaring
candles. One is lighting lamps; the other is setting brushwood and
logs in a blaze in a perfect cavern of a hearth. Where am I, now that
there is plenty of light to see by? Apparently in a banqueting-hall,
fifty feet long by forty wide. This is my private sitting-room, and I
am to eat my little bit of dinner in it all alone. Let me look about
observantly, while the meal is preparing. Above me is an arched
painted ceiling, all alive with Cupids rolling about on clouds, and
scattering perpetual roses on the heads of travellers beneath. Around
me are classical landscapes of the school which treats the spectator
to umbrella-shaped trees, calm green oceans, and foregrounds rampant
with dancing goddesses. Beneath me is something elastic to tread upon,
smelling very like old straw, which indeed it is, covered with a thin
drugget. This is humanely intended to protect me against the cold of
the stone or brick floor, and is a concession to English prejudices on
the subject of comfort. May I be grateful for it, and take no
unfriendly notice of the fleas, though they are crawling up my legs
from the straw and the drugget already!
Public-domain text, read in full here on John Shaqi.
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