What (I ask myself), to take only one example, and that from
the fair sex--what would have become of Oily's delightful and
incessant talk, if he had known my friend Mrs. Marblemug, and had
taken her down to dinner in his enviable capacity of distinguished
man?
Mrs. Marblemug has one subject of conversation--her own vices. On all
other topics she is sarcastically indifferent and scornfully mute.
General conversation she consequently never indulges in; but the
person who sits next to her is sure to be interrupted as soon as he
attracts her attention by talking to her, by receiving a confession of
her vices--not made repentantly, or confusedly, or jocularly--but
slowly declaimed with an ostentatious cynicism, with a hard eye, a
hard voice, a hard--no, an adamantine--manner. In early youth, Mrs.
Marblemug discovered that her business in life was to be eccentric and
disagreeable, and she is one of the women of England who fulfils her
mission.
I fancy I see the ever-flowing Oily sitting next to this lady at
dinner, and innocently trying to make her hang on his lips like the
rest of his tea-table harem. His conversation is reported by his
affectionate biographers, as having been for the most part of the
sweetly pastoral sort. I find that he drove that much-enduring
subject, Nature, in his conversational car of triumph, longer and
harder than most men. I see him, in my mind's eye, starting in his
insinuating way from some parsley garnish round a dish of
lobsters--confessing, in his rich, full, and yet low voice (vide
Memoirs) that garnish delights him, because his favourite colour is
green--and so getting easily on to the fields, the great subject from
which he always got his largest conversational crop. I imagine his
tongue to be, as it were, cutting its first preliminary capers on the
grass for the benefit of Mrs. Marblemug; and I hear that calmly-brazen
lady throw him flat on his back by the utterance of some such words as
these:
"Mr. Oily, I ought to have told you, perhaps, that I hate the fields:
I think Nature in general something eminently disagreeable--the
country, in short, quite odious. If you ask me why, I can't tell you.
I know I'm wrong; but hating Nature is one of my vices."
Mr. Oily eloquently remonstrates. Mrs. Marblemug only says, "Yes, very
likely--but, you see, it's one of my vices." Mr. Oily tries a
dexterous compliment. Mrs. Marblemug only answers, "Don't!--I see
through that. It's wrong in me to see through compliments, being a
woman, I know. But I can't help seeing through them, and saying I do.
That's another of my vices." Mr. Oily shifts the subject to
Literature, and thence, gently but surely, to his own books--his
second great topic after the fields. Mrs. Marblemug lets him go on,
because she has something to finish on her plate--then lays down her
knife and fork--looks at him with a kind of wondering indifference,
and breaks into his next sentence thus:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account