I never got any farther than this, try as I might. And yet, I found
the shopkeepers, both men and women, ready enough to talk on other
topics. On each occasion, so far from receiving any practical hints
that I was interrupting business, I found myself sociably delayed in
the shop, after I had made my purchase, as if I had been an old
acquaintance. I got all sorts of curious information on all sorts of
subjects,--excepting the good pennorth of print in my pocket. Does the
reader know the singular facts in connection with Everton Toffey? It
is like Eau de Cologne. There is only one genuine receipt for making
it, in the world. It has been a family inheritance from remote
antiquity. You may go here, there, and everywhere, and buy what you
think is Everton Toffey (or Eau de Cologne); but there is only one
place in London, as there is only one place in Cologne, at which you
can obtain the genuine article. That information was given me at one
penny-journal shop. At another, the proprietor explained his new
system of Staymaking to me. He offered to provide my wife with
something that would support her muscles and not pinch her flesh; and,
what was more, he was not the man to ask for his bill, afterwards,
except in the case of giving both of us perfect satisfaction. This man
was so talkative and intelligent: he could tell me all about so many
other things besides stays, that I took it for granted he could give
me the information of which I stood in need. But here again I was
disappointed. He had a perfect snow-drift of penny journals all over
his counter--he snatched them up by handfuls, and gesticulated with
them cheerfully; he smacked and patted them, and brushed them all up
in a heap, to express to me that "the whole lot would be worked off by
the evening;" but he, too, when I brought him to close quarters, only
repeated the one inevitable form of words: "A good pennorth; that's
all I can say! Bless your soul, look at any one of them for yourself,
and see what a pennorth it is!"
Having, inferentially, arrived at the two conclusions that the Unknown
Public reads for amusement, and that it looks to quantity in its
reading, rather than to quality, I might have found it difficult to
proceed further towards the making of new discoveries, but for the
existence of a very remarkable aid to inquiry, which is common to all
the penny-novel-journals alike.
Public-domain text, read in full here on John Shaqi.
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