India -- Economic conditions -- 1918-1947; India -- Politics and government -- 1919-1947; India -- Social conditions
Such is the Hindu poet’s explanation of the ideals underlying the
institution of marriage in the communal society of the Hindus. One
feels through his closing lines the poet’s sorrow at the sight of
the misery caused by a wrong conception of marriage throughout the
civilized world. The poet cherishes, however, the fond hope that a day
of the reign of spirit will dawn over the world, when mankind will
recognize the necessity of giving to the forces of love a free play in
the wide concerns of life.
Marriage in India involves two separate ceremonies. The first ceremony
is the more elaborate, and judging from the permanent character of its
obligations, the more important. It is performed amid much festivity
and show. The bridal party, consisting of the bridegroom with his chief
relatives and friends, goes to the bride’s home in an elaborate musical
procession. There the party is handsomely feasted as guests of the
bride for one or more days, according to the means of the host. The
groom furnishes the entertainment, which consists of music, acrobatic
dancing, jugglers’ tricks, fireworks, and so forth. The day is spent
in simple outdoor amusements like hunting, horseback riding, swimming,
or gymnastic plays, the nature of the sport depending upon the
surroundings. In the evening, by the light of the fireworks, and in the
midst of a large crowd of near relatives and spectators, the ceremony
of the “union,” namely, the spiritual unification of the near relatives
of the bride and the bridegroom, is staged in a highly picturesque
manner. In order of their relation to the bride and groom--father of
the bride with the father of the bridegroom, first uncle of the one
with the first uncle of the other, and so forth--the near relatives
of the future couple embrace each other and exchange head-dresses as
a symbol of eternal friendship. Each such pledge of friendship is
beautifully harmonized with a song and a blessing from the daughters
of the village. Later in the evening, the girls lead the guests to the
bridal feast, singing in chorus on their march the “Welcome Home.”
Public-domain text, read in full here on John Shaqi.
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