Conductors (Music) -- United States -- Biography; Damrosch, Walter, 1862-1950
From Pittsburgh we went to New York, where I had arranged with Abbey and
Grau to give me the Metropolitan Opera House for a short season of three
weeks. As I wanted a special attraction for New York, I engaged Madame
Nordica for a few “Lohengrin” performances in which she was to sing
_Elsa_, and Lilli Lehmann, _Ortrude_, a part that she had never sung in
New York, but whose dramatic possibilities interested her very much and
for which she was eminently suited. At first she was furious that I had
engaged any other singer for New York. “If I was sufficient to carry on
your season out of town, I do not see why you have to engage that ——
for New York.” But I explained to her my managerial reasons and somewhat
pacified her, and as soon as we arrived in New York I arranged for a
little rehearsal on the stage of the Metropolitan for Lehmann, Nordica,
and myself, in order that all the scenes, especially of the second act,
in which their acting together was of importance, might be properly
arranged. At this rehearsal Lehmann treated Nordica with icy disdain,
but Nordica acted with such clever tact and deference that Lehmann could
find no hook upon which to hang her anger, and the rehearsal passed off
with outward calmness, although I could feel the volcano trembling
beneath. As we passed out into the street in the late afternoon a
terrible rain-storm was raging and Lilli saw Madame Nordica approach a
coachman in livery who was waiting with opened umbrella to take her to
her coupé. Lilli, clad in a long gray rain-coat and old hat, turned to
Nordica: “Ha, you ride? I valk!” she said, as she lifted her dress and
showed a pair of great boots.
Incidentally my “showman’s instinct” had proved correct. Our
performances of “Lohengrin” with this combination proved artistically
very interesting and the public flocked to hear them. Nordica’s _Elsa_
had been very carefully trained at Bayreuth, and Lehmann’s _Ortrude_ was
truly demoniac, worthy to rank with that of Marianne Brandt’s in its
representation of concentrated hatred.
[Illustration: LILLI LEHMANN AS ISOLDE]
VIII
HANS VON BÜLOW
Public-domain text, read in full here on John Shaqi.
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