My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the YoungCox, James
History
My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the Young
Cox, James
Indians of North America; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
Every visitor asks to be shown the immortalized bridge at Sleepy Hollow,
and as he gazes upon it he thinks of Washington Irving's unrivaled
description of this country. He speedily agrees with Irving that every
change of weather, and indeed every hour of the day, produces some
change in the magical hues and shapes of these mountains, and they are
regarded by all the good wives far and near as perfect barometers. When
the weather is fair and settled they are clothed in blue and purple, and
print their bold outlines on the clear evening sky, but, sometimes, when
the rear of the landscape is clear and cloudless, they will gather a
hood of gray vapors which, in the last rays of the setting sun, will
grow up like a crown of glory.
Here it was that Rip Van Winkle is supposed to have lived and slept, and
astonished his old friends and neighbors, and their descendants. The
path along which Rip Van Winkle marched up the mountain, prior to his
prolonged sleep, is shown to the tourist, who hears at his hotel, in the
conveyance he hires for the day, and among the very mountains
themselves, countless local legends as to Rip Van Winkle, and as to the
percentage of fact and fiction in Washington Irving's masterly
production.
If he is antiquarian enough to desire it, he can be shown the very spot
upon which Rip Van Winkle laid himself down to sleep. Local opinion
differs as to the exact spot, but there is so much faith displayed by
the people that no one can doubt that they are genuine in their beliefs
and sincere in their convictions. The tourist can also be shown the site
of the old country inn, upon the bench in front of which Rip Van Winkle
sat and astonished the natives by his extraordinary conversation, and
his refusal to believe that a generation had elapsed since he was in the
town last.
The chair upon which Dame Van Winkle is supposed to have sat, while she
was berating her idle and incorrigible lord and master, is also shown to
the visitor, and the more credulous ones gaze with interest upon a
flagon which they are assured is the very one out of which Rip Van
Winkle drank. The only thing needed to complete the illusion is the
appearance of the old dog, which the man who had so grievously overslept
himself was sure would have recognized him, had he put in his
appearance.
Public-domain text, read in full here on John Shaqi.
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