My Northern Exposure: The Kawa at the Pole — John Shaqi
My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
The outstanding feature of such vessels as the Fram and the Roosevelt
was their rigidity. Their construction followed the general principle
of the onion, consisting of numerous layers of heavy oak sheathing
shored up from the inside with a veritable cob-web of balks, stanchions
and braces. In addition to this, the sides of these ships were shaped
so as to offer as small a vulnerable target as possible. The idea was
that the stupendous pinch and pressure of the ice-pack failing to get a
firm hold of the vessel should project her up from and out of the ice.
This idea is graphically illustrated by an ordinary, household orange
seed pinched sharply between the thumb and forefinger. But I could
not help smiling at the naive short-sightedness of these earlier men,
for, assuming as sometimes happened, that the constructive features
functioned as outlined, what then? The ship was merely lifted up until
she canted over at a ridiculous and uncomfortable angle where she lay
on the ice, a helpless and absurd spectacle. Further motion in any
direction was plainly impossible except at the whim of the floe itself
which often evinces a contradictory tendency to move southward instead
of northward as per schedule.
While not wishing to discard entirely the idea of elusive conformation
I saw at once that radical innovations would be necessary in order to
accomplish my object. In a word, I proposed to convert the Kawa into a
non-rigid type of vessel.
"Triplett," I said, during our first conference, "what is the
slipperiest animal you know?"
The ancient mariner scratched his head reflectively before replying.
"Seals."
"Right!" I cried. "Go to the seal, thou sluggard! Triplett, it's an
idea! We'll make the Kawa as easy to handle as a greased hot water
bottle."
For many days we worked over the plans and eventually began actual
operations on the Kawa herself, hauling her out for the purpose at
Tutbury's shipyard. She was completely eviscerated. Her oak ribs and
keel were removed and replaced by Austrian bent-wood, of the finest
temper. A thin layer of yew-planking was laid over her sides with
lapped, sliding joints, filled with elastic roofing-cement. Outside
of this came a second layer of slippery elm (3/8" × 2-1/2") laid
diagonally so that the joints crossed those of the yew. The entire
hull was then covered with seal-skin, fur side out. When she slid from
the ways on her re-launching the Kawa took the water as noiselessly
as a musk-rat, and it was with the greatest difficulty that we made
her fast as she slipped from the ship-wright's grasp at the slightest
pressure.[3]
"Gosh-t-a'mighty," grinned Triplett. "She's a seal!"
Public-domain text, read in full here on John Shaqi.
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