My Northern Exposure: The Kawa at the PoleChappell, George S. (George Shepard)
General
My Northern Exposure: The Kawa at the Pole
Chappell, George S. (George Shepard)
Arctic regions -- Fiction; Burlesque (Literature)
The whip, coiled snake-like about the Captain's friendly artics, is
an entirely superfluous emblem of authority, for this remarkable man
achieves his results by the power of the human eye alone. In this
connection it should be noted that Triplett is limited to a single
optic. The one on the right as one faces the photograph is phony,
the original having literally leaped out of its socket many years
ago during an exciting kangaroo hunt. The eye, rolling away into the
bush, was never recovered in spite of a handsome reward-notice in the
Sydney, Melbourne and Adelaide press. Thus Triplett lost not only the
sight of the eye but the eye itself. What the Captain achieves with
his single orb is nothing short of amazing and we have frequently
seen him face-down such fearless fellow-men as George Jean Nathan
merely by turning towards them _his blind_ eye.
Both attitude and costume are superbly characteristic, the massive
oak-timbered frame filling to repletion the bearskin jerkin with
its practical one-man-top. As a protection for the nether limbs
Triplett invariably wore light woolen pajamas with gee-string exits
and entrances. This scant covering was ample even in the severest
weather, owing to the fact that Triplett's own limbs are clothed with
a heavy coat of natural fur which, in his own words, is "grown on the
place."
[Illustration: Triplett the Undaunted]
He extended a limp hand which I hurt as much as possible by using a
peculiar grip taught me by an old swaboda in the Malay peninsula. He
went deathly white and faded from my view. I fear I do not always
realize my strength.
Banderholtz is one of the type of arm-chair explorers which I
particularly detest. Everything he does is superficial. In the early
days when airplanes were safer than they are now because they would
not rise more than six feet from the ground, he gained a great
reputation as a birdman on the strength of once having been up in a
captive-balloon in the Bois de Boulogne.
But this is no place for personal animosities. I caught the midnight
train to New York, rang for the Porter and insisted that my section
be un-made and a table furnished. Now that the matter was settled I
was burning with a desire to work out the details. All night I toiled
away, the click of my typewriter being the only sound except an
occasional curse from the occupants of nearby berths. An old gentleman
in upper-seven disturbed me somewhat with his snoring but gradually
the sound blended itself with the snorts of the sea-lions which I
was already hearing in imagination and I became oblivious to all
interruption. When the train pulled into Grand Central my preliminary
work was complete. My various lists, personnel, food, equipment,
scientific objects, etc. had all been sketched out. The remaining weeks
of April were devoted to the detail of complete organization, all of
which I attended to personally.
Public-domain text, read in full here on John Shaqi.
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