My Past Is Mine
By Gerda Rhoads
Take one tiny memory out of a
man's life--and the entire
universe may turn topsy turvy.
[Transcriber's Note: This etext was produced from
Fantastic Universe October 1954.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
_Gerda Rhoads was born in Vienna and came to the United States with
her parents by way of London and Rio. She was educated at Hunter
College, became a ballet dancer, took up painting and has done some
very charming canvases. Then she married a painter and they went to
Paris and she turned to writing. Sounds glamorous, doesn't it? With
the publication of this her first story Gerda Rhoads proves her pen
is glamor-tipped too._
The voice asked at Eddie Tomlinson's elbow, "Is this seat free?"
Eddie nodded, and hardly looking around, picked up his hat which he had
carelessly put on the seat at his side. A little impatiently he placed
it on the rack overhead. Then he went back to his contemplation of the
wooded hills through which the train was threading its way.
It was the first time he had been in the country since it happened
and perhaps he had allowed himself, against his better judgment,
some unconscious hope. Possibly because it was autumn, the very best
part of autumn for being in the country. Certainly he _must_ have
allowed himself to hope, otherwise he would not again be feeling the
sharp despair, which in recent months had subsided into a bleak and
monotonous resignation.
"Dreary, isn't it?" said the voice of a stranger.
Eddie turned sharply towards the man who had taken the seat next to
him. Could it be? Could the same thing have happened to this man?
In that case the psychiatrists would have been proved wrong and ...
well, nothing would be changed really. But perhaps it meant some ray
of hope. At least he would not be so alone, he would be able to talk
to this man. They could talk about it together. He almost blurted out
the question right away. But he'd had so many unpleasant experiences
with it that he'd refrained from asking it for a long time, and now the
habit of silence held him back.
He looked at his neighbor more closely. The man's skin was freckled, he
could tell that, and the hair rather light. There was something vaguely
familiar about the eyes, about the whole face, but these days people
tended to look rather alike ... or anyway, more so than before.
The man looked at him attentively.
"Haven't we ... no it couldn't be," he suddenly said. Then he added
softly, so that Eddie could barely hear him, "It's become so hard to
recognize old friends."
Public-domain text, read in full here on John Shaqi.
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