My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and HonorSheldon, Lurana
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My Queen: A Weekly Journal for Young Women. Issue 2, October 6, 1900: Marion Marlowe's Courage; or, A Brave Girl's Struggle for Life and Honor
Sheldon, Lurana
Dime novels -- Periodicals; Popular literature -- Periodicals; Young women -- Periodicals
“She’s their winning card,” began the German again, but with a sudden
exclamation his companion interrupted him.
“Great Jerusalem, Otto, just hear that voice! Who the mischief is she?
Quick! She’s down here with that preacher!”
“A regular Patti!” cried the German, hurrying.
“Bosh! Patti isn’t in it with that girl!” was the answer. “Why, her
voice is like a lark—it’s as fresh as a wild flower! And that’s about
what she is,” he added as he caught sight of the singer.
Both men stood spellbound as Marion finished the hymn. They had removed
their hats almost involuntarily as they listened.
As Marion’s last note died away she looked around in embarrassment. The
spell of exaltation had left her—she was almost frightened.
“Thank you,” said Mr. Haley in his cordial way. “That was a treat,
indeed, and the hymn is a grand one.”
“I couldn’t help singing,” said Marion, simply. “It is one of our old
hymns that we sing up in the country.”
The crowd stared at her curiously as she turned away, and would
probably have applauded had not the preacher objected.
“No! No! Not now! Not at this time!” he said, smiling. “The child is a
friend of mine; she only did it to help me.”
“She’ll make more converts than you will, Mr. Haley!” called a jovial
voice in the crowd.
The preacher laughed good-naturedly as he answered.
“I hope she will, I am sure, Mr. Smythe. It would be a pity if that
voice could not cheer the soul of some poor sinner.”
Marion was hurrying away, when two men stepped up to her.
“I beg your pardon, miss,” said Marcus Rosen, the song writer,
politely, “I have just been listening to your beautiful singing. You
have a magnificent voice. Pray tell me who trained it.”
Marion looked up at him sharply and saw the eagerness in his face.
“It has never been trained, sir, by any one,” she said, simply. “I sing
as I feel—I know nothing of method.”
“Well, you are one in a thousand,” said the man again. “But tell me,
are you engaged to sing anywhere at present? Would you accept an offer
if my friend here should make you one?”
Marion stared at the speaker in blank amazement. She could hardly
believe that such good fortune could come to her.
“I will, indeed,” she said, very timidly; “but as I told you at first,
I know nothing about singing.”
The German, whose name was Otto Vondergrift, took a card from his
pocket and handed it to her.
“Call on me to-morrow morning at ten o’clock,” he said. “I have a
little song that I want you to learn, and then if you will sing it at
my opening concert I will give you one hundred dollars.”
Marion tried to thank him, but burst out crying.
“I will be there without fail,” she finally managed to stammer.
“You could have got her for a tenspot, Otto,” said the younger man as
they walked along. “Can’t you see, she’s from the country and mighty
hard up? You must be getting a little reckless with your ducats.”
Public-domain text, read in full here on John Shaqi.
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