Composers -- France -- Biography; Massenet, Jules, 1842-1912
Charles Lamoureux, the famous orchestra leader, had just founded the
Concerts de l'Harmonie Sacrée in the Cirque des Champs Élysées, which
to-day has disappeared. (What a wicked delight they take in turning a
superb theater into a branch of the Bank or an excellent concert hall
into a grass plot of the Champs Élysées!)
As everyone knows Händel's oratorios made these concerts famous and
successful.
One snowy morning in January Hartmann introduced me to Lamoureux who
lived in a garden in the Cité Frochot. I took with me the manuscript of
_Ève_, a mystical play in three acts.
The hearing took place before lunch. And by the time we had reached the
coffee we were in complete accord. The work was to go to rehearsal with
the following famous interpreters: Mme. Brunet Lafleur and Mm. Lasalle
and Prunet.
Les Concerts de l'Harmonie Sacré had _Ève_ on the program of the
eighteenth of March, 1875, as had been arranged.
In spite of the superb general rehearsal in the entirely empty
hall--that was the reason I was there, for I had already begun to avoid
the excitements of public performances--I waited in a small café nearby
for the news brought by an old comrade, Taffanel, then the first flute
player at the Opéra and at the Concerts de l'Harmonie Sacrée. Ah, my
dear Taffanel, my departed friend, whom I loved so well, how dear to me
were your affection and your talent when you conducted my works at the
Opéra!
After each part Taffanel ran across the street and told me the
comforting news. After the third part he was still encouraging, and he
told me hastily that it was all over, that the audience had gone, and
begged me to come at once and thank Lamoureux.
I believed him, but what a fraud he was! No sooner was I in the
musicians' foyer than I was blown like a feather into my confrères arms,
which I grabbed as hard as I could, for I now understood the trick. But
they put me down on the stage before the audience which was still there
and still applauding and waving their hats and handkerchiefs.
I got up, bounced like a ball, and disappeared--furious!
I have drawn this doubtless exaggerated picture of my success because
the moments which followed were terrible for me and showed in contrast
the vanity of the things of this world.
A servant had been searching for me all the evening as she did not know
my whereabouts in Paris and she found me at last at the door of the
concert hall. With tears in her eyes she bade me come to my mother who
was very ill. My dear mother was living in the Rue Notre-Dame-de-Lorette.
I had sent her seats for herself and my sister and I felt sure that both
of them had been at the concert.
The servant and I jumped into a cab, and when I reached the landing, my
sister, with outstretched arms and sobbing, cried, "Mamma is dead ... at
ten o'clock this evening."
Public-domain text, read in full here on John Shaqi.
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