Composers -- France -- Biography; Massenet, Jules, 1842-1912
As I speak of the ballet in _Le Cid_ I remember I heard the motif, which
begins the ballet, in Spain. I was in the very country of _Le Cid_ at
the time, living in a modest inn. It chanced that they were celebrating
a wedding and they danced all night in the lower room of the hotel.
Several guitars and two flutes repeated a dance tune until they wore it
out. I noted it down. It became the motif I am writing about, a bit of
local color which I seized. I did not let it get away. I intended this
ballet for Mlle. Rosita Mauri who had already done some wonderful dances
at the Opéra. I even owed several interesting rhythms to the famous
dancer.
The land of the Magyars and France have been joined at all times by
bonds of keen, cordial sympathy. It was not a surprise, therefore, when
the Hungarian students invited forty Frenchmen--I was one--to go to
Hungary for festivities which they intended to give in our honor.
We started--a joyous caravan--one beautiful evening in August for the
banks of the Danube, François Coppée, Léo Delibes, Georges Clairin,
Doctors Pozzi and Albert Rodin, and many other comrades and charming
friends. Then, some newspaper men went along. Ferdinand de Lesseps was
at our head to preside over us, by right of name if not by fame. Our
illustrious compatriot was nearly eighty at the time. He bore the weight
of years so lightly that for a moment one would have thought he was the
youngest in the lot.
We started off in uproarious gaiety. The journey was one uninterrupted
flow of jests and humorous wit, intermingled with farce and endless
pleasantries.
The restaurant car was reserved for us. We did not leave it all night
and our sleeping car was absolutely unoccupied.
As we went through Munich, the Orient Express stopped for five minutes
to let off two travelers, a man and a woman, who, we did not know how,
had contrived to squeeze into a corner of the dining car and who had
calmly sat through all our follies. As they left the train, they made in
a foreign accent this rather sharp remark, "Those distinguished persons
seem rather common." We certainly did not intend to displease that
puritanical pair and we never overstepped the bounds of joviality and
fun.
That fortnight's journey continued full of incidents in which jokes
contended with burlesque.
Every evening, after the warmly enthusiastic receptions of the Hungarian
youth, Ferdinand de Lesseps, our venerated chief, who was called in all
the Hungarian speeches the "Great Frenchman," would leave us after
fixing the order of the next day's receptions. As he finished arranging
our program, he would add, "To-morrow morning, at four o'clock, in
evening dress." And the "Great Frenchman" would be the first one up and
dressed. When we congratulated him on his extraordinary youthful energy,
he would apologize as follows: "Youth must wear itself out."
Public-domain text, read in full here on John Shaqi.
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