Composers -- France -- Biography; Massenet, Jules, 1842-1912
Needless to say that, when I came in abashed and shamefaced, I was well
scolded. I bore up under two storms of tears--if it is true that a
woman's wrath, like the rain in the forests, falls twice; still, a
mother's heart cannot bear anger forever--and I went to bed made easy on
that scare. Nevertheless I could not sleep. I recalled all the beauties
of the work I had just heard and before my mind's eye I saw again the
tall and impressive figure of Berlioz as he directed the superb
performance in masterly style.
My life ran on happily and industriously, but this did not last. The
doctors ordered my father to leave Paris, as the climate did not agree
with him, and to take treatment at Aix-les-Bains in Savoy. My mother and
father followed this advice and went to Chambéry taking me with them. My
artistic career was interrupted, but there was nothing else for me to
do.
I stayed at Chambéry for two long years; still the life there was not
monotonous. I passed the time in classical studies, alternating with
diligent work on scales and arpeggios, sixths and thirds, as if I were
going to be a fiery pianist. I wore my hair ridiculously long, as was
the style with every virtuoso, and this touch of resemblance harmonized
with my dreams. It seemed to me that wild locks of hair were the
complement of talent.
Between times I took long rambles through the delightful country of
Savoy which was still ruled by the King of Piémont; sometimes I went to
the Dent de Nicolet, sometimes as far as Les Charmettes, that
picturesque dwelling made famous by Jean Jacques Rousseau's stay there.
During my enforced rustication I found, by sheer accident, some of
Schumann's works which were then little known in France and still less
in Piémont. I shall always remember that everywhere I went I did my
share by playing a few pieces on the piano. I sometimes played that
exquisite thing entitled _Au Soir_ and that brought me one day this
singular invitation, "Come and amuse us with your Schumann with its
detestable false notes." It is unnecessary to repeat my childish
outburst at these words. What would the good old people of Savoy say if
they could hear the music of to-day?
But the months went on, and on, and on ... until one morning, before the
first signs of day-break had come over the mountains, I escaped from the
paternal homestead and started for Paris without a sou or even a change
of clothes. For Paris, the city with every artistic attraction, where I
should see again my dear Conservatoire, my masters, and the "behind the
scenes," for the memory of them was still with me.
I knew that in Paris I should find my good older sister, who, in spite
of her modest means, welcomed me as though I were her own child and
offered me board and lodging; a very simple lodging and a very frugal
table, but made so delightful by the magic of greatest kindliness that I
felt exactly as though I were in my own home.
Imperceptibly my mother forgave me for running away to Paris.
Public-domain text, read in full here on John Shaqi.
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