This quality was so strong in him, that it not only permitted him to forget all past offenses, but even rendered him blind to any fresh wrongs. It sufficed to have been kind to him once, to claim his indulgence. The reader remembers that Jeffrey had been the most cruel of the persecutors of his early poems, but that later he had shown more impartiality. This act of justice appeared to Byron a generous act, and one sufficient for him in return to forget all the harm done to him in the past. We accordingly find in his memoranda of 1814:-- "It does honor to the editor (Jeffrey), because he once abused me: many a man will retract praise; none but a high-spirited mind will revoke its censure, or _can_ praise the man it has once attacked." Yet Jeffrey, who was eminently a critic, gave fresh causes of displeasure to Byron at a later period, and then it was that he forgot the present on recalling the past. In speaking of this Scotch critic, he considered himself quite disarmed. When at Venice, he heard that he had been attacked about Coleridge in the "Edinburgh Review," he wrote as follows to Murray:-- "The article in the 'Edinburgh Review' on Coleridge, I have not seen; but whether I am attacked in it or not, or in any other of the same journal, I shall never think ill of Mr. Jeffrey on that account, nor forget that his conduct toward me has been certainly most handsome during the last four or more years."[28] And instead of complaining of this attack, he laughed at it with Moore:-- "The 'Edinburgh Review' had attacked me.... Et tu, Jeffrey! 'there is nothing but roguery in villainous man.' But I absolve him of all attacks, present and future; for I think he had already pushed his clemency in my behoof to the utmost, and I shall always think well of him. I only wonder he did not begin before, as my domestic destruction was a fine opening for all who wished to avail themselves of the opportunity."[29] His great sympathy for Walter Scott became quite enthusiastic, owing also to a feeling of gratitude for a service rendered to him by Scott. Shortly after his arrival in Italy, and the publication of the third canto of "Childe Harold," public opinion in England went completely against him, and an article appeared in the "Quarterly Review," by an anonymous pen, in his defense. Byron was so touched by this, that he endeavored to find out the name of its writer.