In the days when the inner apartments were as yet far away from me, they were the elysium of my imagination. The zenana, which from an outside view is a place of confinement, for me was the abode of all freedom. Neither school nor Pandit were there; nor, it seemed to me, did anybody have to do what they did not want to. Its secluded leisure had something mysterious about it; one played about, or did as one liked and had not to render an account of one's doings. Specially so with my youngest sister, to whom, though she attended Nilkamal Pandit's class with us, it seemed to make no difference in his behaviour whether she did her lessons well or ill. Then again, while, by ten o'clock, we had to hurry through our breakfast and be ready for school, she, with her queue dangling behind, walked unconcernedly away, withinwards, tantalising us to distraction. And when the new bride, adorned with her necklace of gold, came into our house, the mystery of the inner apartments deepened. She, who came from outside and yet became one of us, who was unknown and yet our own, attracted me strangely--with her I burned to make friends. But if by much contriving I managed to draw near, my youngest sister would hustle me off with: "What d'you boys want here--get away outside." The insult added to the disappointment cut me to the quick. Through the glass doors of their cabinets one could catch glimpses of all manner of curious playthings--creations of porcelain and glass--gorgeous in colouring and ornamentation. We were not deemed worthy even to touch them, much less could we muster up courage to ask for any to play with. Nevertheless these rare and wonderful objects, as they were to us boys, served to tinge with an additional attraction the lure of the inner apartments. Thus had I been kept at arm's length with repeated rebuffs. As the outer world, so, for me, the interior, was unattainable. Wherefore the impressions of it that I did get appeared to me like pictures. After nine in the evening, my lessons with Aghore Babu over, I am retiring within for the night. A murky flickering lantern is hanging in the long venetian-screened corridor leading from the outer to the inner apartments. At its end this passage turns into a flight of four or five steps, to which the light does not reach, and down which I pass into the galleries running round the first inner quadrangle. A shaft of moonlight slants from the eastern sky into the western angle of these verandahs, leaving the rest in darkness. In this patch of light the maids have gathered and are squatting close together, with legs outstretched, rolling cotton waste into lamp-wicks, and chatting in undertones of their village homes. Many such pictures are indelibly printed on my memory.