Authors, Bengali -- 20th century -- Biography; Tagore, Rabindranath, 1861-1941
In the riotous joy of this revolutionary activity were these two musical
plays composed, and so they danced merrily to every measure, whether or
not technically correct, indifferent as to the tunes being homelike or
foreign.
On many an occasion has the Bengali reading public been grievously
exercised over some opinion or literary form of mine, but it is curious
to find that the daring with which I had played havoc with accepted
musical notions did not rouse any resentment; on the contrary those who
came to hear departed pleased. A few of Akshay Babu's compositions find
place in the _Valmiki Pratibha_ and also adaptations from Vihari
Chakravarti's _Sarada Mangal_ series of songs.
I used to take the leading part in the performance of these musical
dramas. From my early years I had a taste for acting, and firmly
believed that I had a special aptitude for it. I think I proved that my
belief was not ill-founded. I had only once before done the part of
Aleek Babu in a farce written by my brother Jyotirindra. So these were
really my first attempts at acting. I was then very young and nothing
seemed to fatigue or trouble my voice.
In our house, at the time, a cascade of musical emotion was gushing
forth day after day, hour after hour, its scattered spray reflecting
into our being a whole gamut of rainbow colours. Then, with the
freshness of youth, our new-born energy, impelled by its virgin
curiosity, struck out new paths in every direction. We felt we would try
and test everything, and no achievement seemed impossible. We wrote, we
sang, we acted, we poured ourselves out on every side. This was how I
stepped into my twentieth year.
Of these forces which so triumphantly raced our lives along, my brother
Jyotirindra was the charioteer. He was absolutely fearless. Once, when I
was a mere lad, and had never ridden a horse before, he made me mount
one and gallop by his side, with no qualms about his unskilled
companion. When at the same age, while we were at Shelidah, (the
head-quarters of our estate,) news was brought of a tiger, he took me
with him on a hunting expedition. I had no gun,--it would have been more
dangerous to me than to the tiger if I had. We left our shoes at the
outskirts of the jungle and crept in with bare feet. At last we
scrambled up into a bamboo thicket, partly stripped of its thorn-like
twigs, where I somehow managed to crouch behind my brother till the deed
was done; with no means of even administering a shoe-beating to the
unmannerly brute had he dared lay his offensive paws on me!
Thus did my brother give me full freedom both internal and external in
the face of all dangers. No usage or custom was a bondage for him, and
so was he able to rid me of my shrinking diffidence.
(30) _Evening Songs_
Public-domain text, read in full here on John Shaqi.
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