My Shipmate Louise: The Romance of a Wreck, Volume 1 (of 3)Russell, William Clark
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My Shipmate Louise: The Romance of a Wreck, Volume 1 (of 3)
Russell, William Clark
Sea stories; Shipwrecks -- Fiction
And indeed Mrs. Hudson was a very extraordinary, and I may say violent
contrast to her daughter: a pursy lady of about fifty, with a heavy
underlip, puffed-out cheeks of a bluish tint, and a wig, the youthful
hue of which defined every trace of age in her countenance, till one
thought of her as being some score years older than she really was.
But the interior was wonderfully humanised by these ladies. Their
dress, the sparkle of jewels in their ears, on their fingers and
throats, here and there a turban seated high on some motherly head--it
was the age of turbans and feathers--the soft notes of the girls
running an undertone of music through the deeper voices of the matrons
and the growling of us males grumbling conversation across and up the
table, whipped the fancy ashore, and made one think of drawing-rooms
and guitars and Books of Beauty.
There was one lady, however, who held my eye from the start. She was
Miss Louise Temple, and I cannot express how deep was the admiration
her charms excited in me. I told you that I had caught a glimpse of her
at Gravesend; but, down to this moment, I had been unable to obtain
a fair view of her. Her hair that, to judge by the coils of it, when
let down would have reached to below her knees, was of a wonderful
blackness without either gloss or deadness. She wore it in a manner
that was perfectly new in those days: in twinings which heaped it up
to the aspect of a crown; whilst behind it was brushed up in a way to
exhibit the lovely form of the head from the curve of the neck to where
the beautiful tresses lay piled. Her face was perfectly colourless,
the complexion clear, and the skin exquisitely delicate. Her mouth was
small, the upper lip slightly curved, and there was the hint of a pout
in the faint, scarce perceptible protrusion of the under lip. Her nose
was perfectly straight, like a Greek woman’s; but it had the English
indent under the brow, and therefore had the beauty, which to my fancy,
no Greek profile ever yet possessed.
But her eyes! How am I to describe them? What impression can I hope to
convey by such terms as large, black, soft, and fluid? The lids were
delicately veined, the eyelashes long, and between these fringes the
eyes shone of a dark liquid loveliness, full of the light, as it seemed
to me, of a high intelligence, with spirit and haughtiness in every
glance. They were the most dramatic, by which I do not mean theatric,
pair of twinklers that ever sparkled star-like under the beauty of a
woman’s brow; created, you might have thought, for the interpretation
of the Shakespearean imaginations, with all capacity in them of
surprise, scorn, resentment, melting tenderness, and of every fine and
noble passion. She was attired in a dress of black cloth, simple as a
riding habit of to-day, and so fitting her figure as to express without
exaggeration every point of grace in the curves and fulness of her tall
but still maidenly form.
Public-domain text, read in full here on John Shaqi.
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