My Summer with Dr. Singletary: Part 2 from Volume V of The Works of John Greenleaf Whittier — John Shaqi
My Summer with Dr. Singletary: Part 2 from Volume V of The Works of John Greenleaf WhittierWhittier, John Greenleaf
General
My Summer with Dr. Singletary: Part 2 from Volume V of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American literature
Peewawkin had always the reputation of a healthy town: and if it had
been otherwise, Dr. Singletary was the last man in the world to
transmute the aches and ails of its inhabitants into gold for his own
pocket. So, at the age of sixty, he was little better off, in point of
worldly substance, than when he came into possession of the small
homestead of his father. He cultivated with his own hands his corn-
field and potato-patch, and trimmed his apple and pear trees, as well
satisfied with his patrimony as Horace was with his rustic Sabine villa.
In addition to the care of his homestead and his professional duties,
he had long been one of the overseers of the poor and a member of the
school committee in his town; and he was a sort of standing reference in
all disputes about wages, boundaries, and cattle trespasses in his
neighborhood. He had, nevertheless, a good deal of leisure for reading,
errands of charity, and social visits. He loved to talk with his
friends, Elder Staples, the minister, Deacon Warner, and Skipper Evans.
He was an expert angler, and knew all the haunts of pickerel and trout
for many miles around. His favorite place of resort was the hill back
of his house, which afforded a view of the long valley of the Tocketuck
and the great sea. Here he would sit, enjoying the calm beauty of the
landscape, pointing out to me localities interesting from their
historical or traditional associations, or connected in some way with
humorous or pathetic passages of his own life experience. Some of these
autobiographical fragments affected me deeply. In narrating them he
invested familiar and commonplace facts with something of the
fascination of romance. "Human life," he would say, "is the same
everywhere. If we could but get at the truth, we should find that all
the tragedy and comedy of Shakespeare have been reproduced in this
little village. God has made all of one blood; what is true of one man
is in some sort true of another; manifestations may differ, but the
essential elements and spring of action are the same. On the surface,
everything about us just now looks prosaic and mechanical; you see only
a sort of bark-mill grinding over of the same dull, monotonous grist of
daily trifles. But underneath all this there is an earnest life, rich
and beautiful with love and hope, or dark with hatred, and sorrow, and
remorse. That fisherman by the riverside, or that woman at the stream
below, with her wash-tub,--who knows what lights and shadows checker
their memories, or what present thoughts of theirs, born of heaven or
hell, the future shall ripen into deeds of good or evil? Ah, what have
I not seen and heard? My profession has been to me, in some sort, like
the vial genie of the Salamanca student; it has unroofed these houses,
and opened deep, dark chambers to the hearts of their tenants, which no
eye save that of God had ever looked upon. Where I least expected them,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account