World War, 1914-1918 -- Personal narratives, Canadian; World War, 1914-1918 -- Prisoners and prisons, German
“Merely because of my wife’s remarks,” he answered with a delicate
smile in which it was impossible to detect the slightest shadow of
reproach.
The day following our interview the professor returned my call. He was,
of course, accompanied to my cell by a non-commissioned officer, who,
according to instructions, locked us in the room together. Mr. Marteau
brought with him his marvelous instrument upon which he had been
granted the privilege to play during his imprisonment. It was his music
which had charmed our ears on previous days.
On this occasion he was kind enough to entertain me with several
selections from Bach and Gounod. The Poles, as is well known, have a
passion for music, as, indeed, have the Russians, and they flocked to
the windows and were charmed by the enchanting music. Every selection
was heartily applauded. The entertainment caused a pleasant sensation
in the prison, and when the professor visited me again the next day,
there was the same enthusiastic audience to enjoy his masterly
performance.
Suddenly it was interrupted by the appearance of the Sergeant-Major at
the door of my cell. Ignoring the professor’s courteous bow, he cried
in a harsh voice: “This cannot be allowed; you have no permission to
play here.” The officer left as abruptly as he came, and the door was
closed with a bang.
I must be excused if I do not report the remarks that were made at the
ill-mannered behavior towards Professor Marteau, who was as refined as
he was distinguished.
This worthy man was the father of two charming daughters, aged four and
five years respectively, but in spite of his requests–repeated over and
over again during his three months’ confinement in the Stadtvogtei–for
the privilege of receiving visits from his children and for
permission that they might call to see their mother, the Kommandantur
categorically refused to grant the petition.
A few months afterwards Professor Marteau was granted provisional
liberty. He was permitted to leave the jail and go and reside in the
village of Mecklembourg, where he had to report himself daily at the
municipal hall; but his movements were confined to the radius of the
village boundaries.
During our intercourse, I frequently expressed the hope that, after the
termination of the war, we might have the pleasure of welcoming him
on a return visit to Canada and the United States. I told him that he
might be assured of the greatest triumph an artist of his outstanding
talent could hope for.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account