My three years in Manipur : $b and escape from the recent mutinyGrimwood, Ethel St. Clair
History
My three years in Manipur : $b and escape from the recent mutiny
Grimwood, Ethel St. Clair
Grimwood, Ethel St. Clair, 1867-1928; Manipur (India)
‘Fine feathers make fine birds,’ says an old proverb, and in this case
it was certainly true; but the two princes thought her beautiful, and
were at daggers drawn about her. We had a big nautch one night, to
which Maïpâkbi came as chief dancer. All the princes were there to see
it, and the two rivals for the young lady’s affections sat one on each
side of me. The Senaputti was all cheerfulness and good-humour, but the
Pucca Senna was very gloomy and morose, and at the end of the evening my
husband said we must never ask the two brothers together again. Shortly
afterwards we heard that they had had a terrible quarrel, in which the
Maharajah had taken the part of the Pucca Senna, and that the Senaputti
had sworn never to speak to the latter again, an oath which he kept to
the letter.
Meanwhile I went away to the hills, and all seemed to go on quietly
for two or three months, though a storm was brewing in the meanwhile,
which only needed an opportunity to burst forth and overwhelm the
reigning power in destruction. The eight brothers split up into two
factions—the Maharajah, Pucca Senna, Samoo Hengeba, and the Dooloroi
Hengeba formed one side; whilst the Jubraj, Senaputti, Angao Senna, and
the young Zillah Singh all leagued together. Of the first four named,
the Samoo Hengeba and the Dooloroi Hengeba are the two that have not been
mentioned previously. The first of these was the officer in charge of the
Maharajah’s elephants, numbering about sixty. It was his duty to manage
all the arrangements in connection with them, and on grand occasions,
when the Maharajah rode on an elephant, his brother, the Samoo Hengeba,
acted as Mahout.[10] The name means Chief over elephants, Samoo being the
Manipuri name for an elephant, and Hengeba head or chief.
The Dooloroi Hengeba had command of all the Maharajah’s doolies.[11] This
mode of travelling was confined to the rich, and was considered a mark
of great dignity; not everyone could indulge in this luxury, and those
who did had to get special permission to use them, though sometimes
they were conferred upon ministers of state by the Maharajah as a mark
of recognition for their services. The Maharajah seldom travelled in any
other style, as he was a very stout, apoplectic kind of personage, and it
suited him better to be carried than to ride or go on an elephant. His
dooly was a very magnificent affair, made of wood, with gilt hangings all
round it, and a gilt top, which could be put over it in wet weather.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account