The grey mist whitens. A luminous patch indicates the east. The light increases. The cumbersome vapour is sopped up by the sun, and the coo-hooing of many pigeons makes proclamation of the day. Detached and erratic patches of ripples appear--tiptoe touches of sportful elves tripping from the isles to the continent, whisking merrily, the faintest flicks of dainty toes making the glad sea to smile. Parcelled into shadows, bold, yet retreating, the dimness of the night, purple on the glistening sea, stretches from the isles towards the long, orange-tinted beach. Let there be no loitering of the shadows. The gloomy isles have changed from black to purple and from purple to blue, and as the imperious sun flashes on the mainland a smudge of brown, blurred and shifting, in the far distance--the only evidence of the existence of human schemes and agitations--the only stain on the celestial purity of the morning--betokens the belated steamer for the coming of which the joy-giving watches of the tropic night have been kept. CHAPTER VIII READING TO MUSIC "Silence was pleased." As I lounged at mine ease on the veranda, serenely content with the pages of a favourite author, I became conscious of an unusual sound-vague, continuous, rhythmic. Disinclined to permit my thoughts to wander from the text, at the back of my mind a dim sensation of uneasiness, almost of resentment, because of the slight audible intrusion betrayed itself. Close, as firmly as I could, my mental ear the sound persisted externally, softly but undeniably. Having overcome the first sensation of uneasiness, I studied the perfect prose without pausing to reflect on the origin of the petty disturbance. In a few minutes the annoyance--if the trivial distraction deserved so harsh an epithet--changed, giving place to a sense of refined pleasure almost as fatal to my complacency, for it compelled me to think apart. What was this new pleasure? Ah! I was reading to an accompaniment--a faint, far-off improvisation just on the verge of silence, too scant and elusive for half-hearted critical analysis. This reading of delightful prose, while the tenderest harmony hummed in my cars, was too rare to be placidly enjoyed. Frail excitement foreign to the tranquil pages could not be evaded. The most feeble and indeterminate of sounds, those which merely give a voice to the air eventually, quicken the pulse. An eloquent and learned man says that the mechanical operation of sounds in quickening the circulation of the blood and the spirits has more effect upon the human machine than all the eloquence of reason and honour. So the printed periods became more sonorous, the magic of the words more vivid. The purified meaning of the author, the exaltation he himself must have felt, were realised with a clearer apprehension. But the very novelty of the emotional undertaking drew me reluctantly from that which was becoming a lulling musical reverie.