My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
"They can't understand," said Eva, "that a woman may be tired of leading
a lazy life, and want to use her faculties. Well, I'm sure _I_ can
understand it. I'd give all the world to feel that I was of as much real
use to anybody as Ida is to papa; and I think papa likes it too. Poor,
dear old papa, with his lovely old white head, who just toils and slaves
for us. I wish I could help him too."
"Well, dear, I can tell you how you can help him."
"How?"
"Marry Wat Sydney."
"Nonsense, Aunt, what has that to do with papa?"
"It would have more to do than you think," said Aunt Maria, shaking her
head, mysteriously.
CHAPTER XXV.
A DISCUSSION OF THE WOMAN QUESTION FROM ALL POINTS.
The bold intrusion of Miss Audacia Dangereyes into my apartment had left
a most disagreeable impression on my mind. This was not lessened by the
reception of her paper, which came to hand in due course of next mail;
and which I found to be an exposition of all the wildest principles of
modern French communism. It consisted of attacks directed about equally
against Christianity, marriage, the family state, and all human laws and
standing order, whatsoever. It was much the same kind of writing with
which the populace of France was indoctrinated and leavened in the era
preceding the first revolution, and which in time bore fruit in blood.
In those days, as now, such doctrines were toyed with in literary
_salons_ and aristocratic circles, where their novelty formed an
agreeable stimulus in the vapid common-place of fashionable life. They
were then, as now, embraced with enthusiasm by fair illuminati, who
fancied that they saw in them a dawn of some millennial glory; and were
awakened from their dream, like Madame Roland, at the foot of the
guillotine, bowing their heads to death and crying, "O Liberty, what
things are done in thy name!"
The principal difference between the writers on the _Emancipated Woman_,
and those of the French illuminati, was that the French prototypes were
men and women of elegance, culture, and education; whereas their
American imitators, though not wanting in a certain vigor and
cleverness, were both coarse in expression, narrow in education, and
wholly devoid of common decency in their manner of putting things. It
was a paper that a man who reverenced his mother and sisters could
scarcely read alone in his own apartments without blushing with
indignation and vexation.
Every holy secret of human nature, all those subjects of which the grace
and the power consists in their exquisite delicacy and tender
refinement, were here handled with coarse fingers. Society assumed the
aspect of a pack of breeding animals, and all its laws and institutions
were to return to the mere animal basis.
Public-domain text, read in full here on John Shaqi.
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