My Wife and I; Or, Harry Henderson's History — John Shaqi
My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
For instance, it being the author's purpose to show the embarrassment of
the young champion of progressive principles, in meeting the excesses of
modern reformers, it came in her way to paint the picture of the modern
emancipated young woman of advanced ideas and free behavior. And this
character has been mistaken for the portrait of an _individual_, drawn
from actual observation. On the contrary, it was not the author's
intention to draw an individual, but simply to show the type of a class.
Facts as to conduct and behavior similar to those she has described are
unhappily too familiar to residents of New York. But in this as in other
cases the author has simply used isolated facts in the construction of a
dramatic character suited to the design of the story. If the readers of
to-day will turn back to Miss Edgeworth's _Belinda_, they will find that
this style of manners, these assumptions and mode of asserting them, are
no new things. In the character of Harriet Freke, Miss Edgeworth vividly
portrays the manners and sentiments of the modern emancipated women of
our times, who think themselves
"Ne'er so sure our passion to create,
As when they touch the brink of all we hate."
Certainly the author knows no original fully answering to the character
of Mrs. Cerulean, though she has heard such an one described; and,
doubtless, there are traits in her equally attributable to all fair
enthusiasts who mistake the influence of their own personal charms and
fascinations over the other sex, for real superiority of intellect.
There are happily several young women whose vigorous self-sustaining
career, in opening paths of usefulness alike for themselves and others,
are like that of Ida Van Arsdel; and the true experiences of a lovely
New York girl first suggested the character of Eva; yet both of them
are, in execution, strictly imaginary paintings, adapted to the story.
In short, some real character, or, in many cases, some two or three,
furnish the germs, but the germs only, out of which new characters are
developed.
In close: The author wishes to dedicate this Story to the many dear,
bright young girls whom she is so happy as to number among her choicest
friends. No matter what the critics say of it, if _they_ like it; and
she hopes from them, at least, a favorable judgment.
H. B. S.
TWIN-MOUNTAIN HOUSE, N.H.
_October, 1871._
CONTENTS:
PAGE
I. THE AUTHOR DEFINES HIS POSITION 1
II. MY CHILD-WIFE 5
III. OUR CHILD-EDEN 17
IV. MY SHADOW-WIFE 32
V. I START FOR COLLEGE 43
VI. MY DREAM-WIFE 52
VII. THE VALLEY OF HUMILIATION 66
VIII. THE BLUE MISTS 76
Public-domain text, read in full here on John Shaqi.
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