My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
I look back now into my little heart as it was then, and remember the
paroxysms of silent pain I used to have at times, deep within, while yet
I seemed to be like any other boy.
I heard my sisters one day discussing whether I cared much for Daisy's
death.
"He don't seem to, much," said one.
"Oh, children are little animals, they forget what's out of sight," said
another.
But I did not forget,--I could not bear to go to the meadow where we
gathered strawberries,--to the chestnut trees where we had gathered
nuts,--and oftentimes, suddenly, in work or play, that smothering sense
of a past, forever gone, came over me like a physical sickness.
When children grow up among older people and are pushed and jostled, and
set aside in the more engrossing interests of their elders, there is an
almost incredible amount of timidity and dumbness of nature, with regard
to the expression of inward feeling,--and yet, often at this time the
instinctive sense of pleasure and pain is fearfully acute. But the child
has imperfectly learned language. His stock of words, as yet, consists
only in names and attributes of outward and physical objects, and he
has no phraseology with which to embody a mere emotional experience.
What I felt when I thought of my little playfellow, was a dizzying,
choking rush of bitter pain and anguish. Children can feel this acutely
as men and women,--but even in mature life this experience has no gift
of expression.
My mother alone, with the divining power of mothers, kept an eye on me.
"Who knows," she said to my father, "but this death may be a heavenly
call to him."
She sat down gently by my bed one night and talked with me of heaven,
and the brightness and beauty there, and told me that little Susie was
now a fair white angel.
I remember shaking with a tempest of sobs.
"But I want her _here_," I said. "I want to see her."
My mother went over all the explanations in the premises,--all that can
ever be said in such cases, but I only sobbed the more.
"_I can't see her!_ Oh mother, mother!"
That night I sobbed myself to sleep and dreamed a blessed dream.
It seemed to me that I was again in our meadow, and that it was fairer
than ever before; the sun shone gaily, the sky was blue, and our great,
golden lily stocks seemed mysteriously bright and fair, but I was
wandering lonesome and solitary. Then suddenly my little Daisy came
running to meet me in her pink dress and white apron, with her golden
curls hanging down her neck. "Oh Daisy, Daisy!" said I running up to
her. "Are you alive?--they told me that you were dead."
"No, Hazzy, dear, I am not dead,--never you believe that," she said, and
I felt the clasp of her soft little arms round my neck. "Didn't I tell
you we'd see each other again?"
"But they told me you were dead," I said in wonder--and I thought I held
her off and looked at her,--she laughed gently at me as she often used
to, but her lovely eyes had a mysterious power that seemed to thrill all
through me.
Public-domain text, read in full here on John Shaqi.
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