My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
My Shadow Wife! Is there then substance in shadow? Yea, there may be. A
shadow--a spiritual presence--may go with us where mortal footsteps
cannot go; walk by our side amid the roar of the city: talk with us amid
the sharp clatter of voices; come to us through closed doors, as we sit
alone over our evening fire; counsel, bless, inspire us; and though the
figure cannot be clasped in mortal arms--though the face be veiled--yet
this wife of the future may have a power to bless, to guide, to sustain
and console. Such was the dream-wife of my youth.
Whence did she come? She rose like a white, pure mist from that little
grave. She formed herself like a cloud-maiden from the rain and dew of
those first tears.
When we look at the apparent recklessness with which great sorrows seem
to be distributed among the children of the earth, there is no way to
keep our faith in a Fatherly love, except to recognize how invariably
the sorrows that spring from love are a means of enlarging and
dignifying a human being. Nothing great or good comes without
birth-pangs, and in just the proportion that natures grow more noble,
their capacities of suffering increase.
The bitter, silent, irrepressible anguish of that childish bereavement
was to me the awakening of a spiritual nature. The little creature who,
had she lived, might have grown up perhaps into a common-place woman,
became a fixed star in the heaven-land of the ideal, always drawing me
to look upward. My memories of her were a spring of refined and tender
feeling, through all my early life. I could not then write; but I
remember that the overflow of my heart towards her memory required
expression, and I taught myself a strange kind of manuscript, by copying
the letters of the alphabet. I bought six cents' worth of paper and a
tallow candle at the store, which I used to light surreptitiously when I
had been put to bed nights, and, sitting up in my little night-gown, I
busied myself with writing my remembrances of her. I could not, for the
world, have asked my mother to let me have a candle in my bed-room after
eight o'clock. I would have died sooner than to explain why I wanted it.
My purchase of paper and candle was my first act of independent
manliness. The money, I reflected, was mine, because I earned it myself,
and the paper was mine, and the candle was mine, so that I was not using
my father's property in an unwarrantable manner, and thus I gave myself
up to my inspirations. I wrote my remembrances of her, as she stood
among the daisies and the golden lilies. I wrote down her little words
of wisdom and grave advice, in the queerest manuscript that ever puzzled
a wise man of the East. If one imagines that all this was spelt
phonetically, and not at all in the unspeakable and astonishing way in
which the English language is conventionally spelt, one may truly
imagine that it was something rather peculiar in the way of literature.
But the heart-comfort, the utter abandonment of soul that went into it,
Public-domain text, read in full here on John Shaqi.
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