The miscellaneous entertainments given by Mr. Myers are of great
variety; in fact, he is able with perfect ease to change his programme
daily, such are his resources. An attractive item is the performance
of the Japanese _troupe_, brought from Japan expressly for Mr. Myers,
and in which the brothers Moto and Assa exhibit a flexibility which
implies the possession of spines of abnormal elasticity; while Gingero
and Como-Ketchy go through a series of balancing feats which cast into
the shade all contemporary performances of a like nature. Especially
wonderful is the business with the bamboo ladder, up and down which,
while it is supported on the chest of one of the performers, the other
runs with the greatest rapidity, standing on his head on the top,
creeping in and out between the rounds; and which at last, at a given
signal, falls to pieces, leaving only one side-piece, with the acrobat
standing on the top. A band of Bedouin Arabs also appears in those
bounding feats which seem the speciality of the sons of the Desert.
Miss Charlotte Felix’s _troupe_ of performing dogs go through a series
of interesting tricks, which illustrate to what a pitch of perfection
of training these sagacious animals can be brought; and a number of
clowns, headed by the well-known Hulines, add zest to the interludes by
their quaint sayings and grotesque tricks.
The Equestrian Pantomime, Little Red Riding Hood.
The latest addition to the varied attractions of Mr. Myers’
establishment has been a gorgeous spectacular pantomime on the subject
of Little Red Riding Hood (Le Petit Chaperon Rouge), which was
produced in Paris in April last, at a preliminary outlay of 120,000
francs, and which forms one of the most striking features of the
Crystal Palace performances. The charming little story of Perrault has
been ingeniously adapted to the equestrian resources of Mr. Myers’
hippodrome. The pantomime opens with a pretty ballet, in which the
fairy Good Heart and her attendant fays take part. Little Red Riding
Hood next appears, with her basket, and is surprised by the wolf, but
is for the time being saved from danger by the appearance of a host of
little hunters, whose horns terrify the savage beast, and who chase
him on their tiny ponies till they unfortunately lose his track. The
wolf then slays and devours the grandmother, and disguises himself in
her dress to deceive more effectually his intended victim; but she is
saved, of course, by the entrance of the young prince, who captures
the wolf, and encloses him with some trouble in a great cage. A grand
_bal champêtre_ follows, given by the fairy Good Heart in honour of
Little Red Riding Hood. The circus is transformed into a garden, with
copses, alleys, flowers, tended by little gardeners. Little Red Riding
Hood, transformed by the fairy into a princess, appears; guests of all
nations, and all classes of society, arrive, in appropriate dresses.
Public-domain text, read in full here on John Shaqi.
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