Authors, English -- 20th century -- Biography; Waugh, Alec, 1898-1981
And then the Garden Suburb came, and the builders discovered that there
was ample room for a row of houses between the railway and the road, and
Smith and Boots and Sainsbury added each of them another branch to their
activities. And ’buses ceased to stop at Child’s Hill and tubes at
Hampstead. And within four years the cross roads became as good a spot
as Piccadilly for the unwary to be run over.
When I came home at the end of the first term at my prep. I could hardly
recognise the North End Road. I believe that had I been transported
there by a motor in the night I should not have known where I was, any
more than I should have known where I was had I found myself in the
spring of 1920 suddenly beside Potije Chateau on the road from Ypres to
Zonnebeke. Golders Green sprang into life as speedily and as haphazardly
as have the devastated areas. That immense hippodrome that confronts you
as you turn to the left out of the station; they had not begun work on
it when I went back to Sherborne in the autumn of 1913; but the curtain
rang up on Boxing-Day. In less than three months they built it; working
from start to finish against the clock. They had no time to instal a
heating apparatus. On that first evening we shivered in greatcoats; but
within a week the fires were banked up. The heat dripped on to us from
the ceiling. An achievement, undoubtedly. Golders Green is a
comfortable and commodious spot. There is the heath for exercise; the
hippodrome for amusement; there are barbers and baths and cinemas, and
trams and tubes and ’buses, and a taxi rank; an illuminated clock at the
cross roads; two restaurants. A place, I am told, where one may dance,
that even.
An impressive outpost, doubtless of Newer London: a fine tribute to
progress, and mechanical invention. But there is one thing that, search
how you may, you will never find at Golders Green. You will not find
anywhere any indication that the world was inhabited a hundred years
ago.
Public-domain text, read in full here on John Shaqi.
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