Authors, English -- 20th century -- Biography; Waugh, Alec, 1898-1981
But then Norway is an empty country. It is as large as England, and it
has a population of three million. You will see no towns on the long
fourteen-hour journey from Bergen to Christiania. Only here and there a
collection of scattered hutments and the long stretches of the fjords.
And it is remarkable that so small a nation should have made such a
considerable contribution to the literature of Europe. A useless,
hopeless task it must sometimes seem, we felt, to the young Norwegian.
“I am writing,” one can imagine him to say, “in a language that only
three million people are able to understand. It is possible that my work
may be some day read and appreciated in the foreign cities of Europe;
but it will be read there in translation; and the phrasing, the colour,
the rhythm, on which I have expended so much labour, will have gone out
of it. If only I had been born in America!”
And then we remembered that the population of England when Shakespeare
wrote was little greater than that of Norway is to-day; that it seemed
worth while to him to write for three million people; that these, as
all other, things are relative; that it would be impossible without
detachment, without a sense of the eternal values, to produce a
masterpiece; and that such a one as Björnson would know out of the
direct simplicity of his nature, that it is enough to plough one’s
furrow to the end.
We were bound for Finse and its winter sports, and it was exciting to
look for the first signs of ice and snow at the edge of the water, to
watch at each halt on the way the fall of the thermometer. We seemed to
get little colder, though, for that is the charm of Norway. The sun
shines out of a blue sky, and your face tingles with the glare that the
snow flings up on it. It is a pity, though, that you have to wear
darkened glasses to protect your eyes. It robs the sky of its colour,
and if such a phrase may be permitted, it seems to bleach the snow, with
the effect of an unreal twilight. Only now and again in glimpses,
through windows for the most part, can one see the landscape as it
really is.
But then it is not for the sake of its scenery that one goes to Finse;
the long sheets of snow have, it is true, a certain remote, cold
loveliness of their own; but the continued sight of snow is apt by
itself to be depressing. Finse is not, shall we say, an ideal place for
the ancient and infirm; it would be unexhilarating for them to sit all
day long, looking out of the drawing-room window. Finse is very nearly
the highest place on the Bergen-Christiania railway. It is well above
the vegetation line. It consists of a station, an hotel, and some
half-dozen hutments. It is quite simply an encampment among the hills,
and from the windows of the hotel one sees nothing but snow and
mountains.
Public-domain text, read in full here on John Shaqi.
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