Cecily took the dirk from its case with excessive precaution, and placed it
on the marble chimney-piece; the blade, of the finest Damascus and the best
temper, was triangular; its point, as sharp as a needle, had pierced a
dollar without blunting it.
Impregnated with a subtle and quick poison, the least wound from this
poniard was mortal.
Jacques Ferrand, having one day doubted the dangerous properties of this
weapon, the Creole made before him an experiment _in anima vita_, that
is to say, on the unfortunate house dog, who, slightly pricked in the nose,
fell dead in horrible convulsions.
The dirk placed on the chimney, Cecily taking off her spencer of black
cloth, exposed her shoulders, bosom, and arms, naked like a lady in ball
costume.
According to the custom of most girls of color, she wore, instead of a
corset, a second corsage of double linen, which was closely bound around
her waist; her orange petticoat, remaining fastened under her white inner
waist with short sleeves, composed thus a costume much less severe than the
first, and harmonized wonderfully with the scarlet stockings, and the
Madras scarf so capriciously twisted around the head of the Creole. Nothing
could be more pure, more beautiful, than the contour of her arms and
shoulders, to which little dimples gave a charm the more.
A profound sigh attracted the attention of Cecily. She smiled, while
roiling around one of her ivory fingers some stray curls which escaped from
the folds of the bandana.
"Cecily! Cecily!" murmured a voice, at once harsh and plaintive.
And at the narrow opening of the wicket appeared the pale, flat face of
Jacques Ferrand; his eyes sparkled in the shade.
Cecily, silent until then, began to sing softly in Creole French, a
Louisianian air. The words of this melody were soft and expressive.
Although restrained, the noble contralto overpowered the noise of the
torrents of rain and violent gusts of wind, which seemed to shake the old
house to its foundation.
"Cecily! Cecily!" repeated Jacques Ferrand, in a supplicating tone.
The Creole suddenly stopped, turned her head quickly, and appeared to hear
for the first time the voice of the notary, and approached the door. "How!
dear master, you are there?" said she, with a slight foreign accent, which
gave additional charm to her melodious voice.
"Oh! how handsome you are!" murmured the notary.
"You think so?" answered the Creole: "this bandana suits my hair?"
"Every day I find you still more handsome."
"And see how white my arm is."
"Monster! go away! go away!" cried Jacques Ferrand, furiously.
Cecily laughed immoderately.
"No, no, this is suffering too much! Oh! if I did not fear death!" cried
the notary, in a hollow voice; "but to die--to renounce the sight of you,
so handsome. I prefer to suffer, and see you--"
Public-domain text, read in full here on John Shaqi.
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