He heard no other noise than the distant rolling of the carriage which was
rapidly carrying off the Creole. The notary thought it was some belated
vehicle, and attached no importance to this circumstance.
Thus, for him no chance remained of finding Cecily, who carried off with
her the proofs of his crimes!!!
On this frightful certainty, he fell, thunderstruck, on his own threshold.
He remained there a long time, dumb, immovable, petrified. With wan eyes,
his teeth compressed, his mouth foaming, tearing mechanically with his
nails his breast, he felt his reason totter, and was lost in an abyss of
darkness. When he awoke from his stupor, he walked heavily, and with an
ill-assured step; objects trembled in his sight; he felt as if recovering
from a fit of intoxication.
He shut with violence the street door, and re-entered the court. The rain
had ceased, but the wind continued to blow with violence, chasing the heavy
laden clouds, which veiled, without concealing, the light of the moon.
Slightly calmed by the brisk and cold air of the night, Ferrand, hoping to
combat his internal agitation by the rapidity of his walk, plunged into the
obscure walks of his garden, marching with rapid strides, and from time to
time striking his forehead with his clinched fists.
Walking thus at hazard, he reached the end of a walk near a greenhouse in
ruins. Suddenly he stumbled violently over a mound of earth newly raised.
He stooped, and looked mechanically on some linen stained with blood.
He was near the grave where Louise Morel buried her dead child. Her
child--also the child of Jacques Ferrand! Notwithstanding his obduracy,
notwithstanding the frightful fears which agitated him, Jacques Ferrand
shuddered with alarm.
There was something supernatural in this stumbling-block. Pursued by the
avenging punishment of his _vice_, chance carried him to the grave of
his child--unhappy fruit of his violence. Under any other circumstances,
Jacques Ferrand would have trampled on this sepulcher with atrocious
indifference; but having exhausted his savage energy in the scene we have
related, he was seized with a weakness and sudden alarm. His face was
covered with an icy sweat, his trembling knees shook under him, and he fell
lifeless across this open grave.
CHAPTER III.
LA FORCE.
The interior of a prison is a frightful pandemonium--a sad
_thermometer_ of the state of society, and an instructive study.
In a word, the varied physiognomies of all classes of prisoners, the
relations of family or affection which connects them still to the world,
from which the prison walls separate them, have appeared to us worthy of
regard.
The reader will, then, excuse us for having grouped around several of the
prisoners personages to be known in this tale, and other secondary figures,
destined to place in active relief certain critical events necessary to
complete this initiation into prison life. Let us enter La Force.
Public-domain text, read in full here on John Shaqi.
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